VAM 005 | How I Broke Into Voice Acting, Part 2
Voice Acting Mastery: Become a Master Voice Actor in the World of Voice Over
Crispin Freeman | Voice Actor
4.9 • 555 Ratings
🗓️ 24 August 2011
⏱️ 14 minutes
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| 0:00.0 | You're listening to Voice Acting Mastery, episode number five. |
| 0:03.5 | Welcome to the Voice Acting Mastery podcast with Crispin Freeman. |
| 0:07.9 | Voiceactingmastery.com is your place to learn both the skills and the mindset you need to become a professional voice actor, even if you're just getting started. |
| 0:17.3 | In each episode of this podcast, you'll discover valuable tips, tricks and insider information to help you portray characters in animation, video games and beyond. |
| 0:27.3 | And now here's your host, voice actor Crispin Freeman. |
| 0:34.6 | Hi there, my name is Crispin Freeman, and I'll be your guide through the world of voice acting. |
| 0:40.3 | If you'd like to know more about me, feel free to check out my personal website at www.com. |
| 0:47.5 | This episode is part two of the story of how I broke into voice acting. |
| 0:51.7 | If you haven't already, I highly recommend you listen to the episode |
| 0:54.8 | just prior to this one, so you can have a sense of context. In this episode, I'm going to talk |
| 1:00.5 | about my first experience in the recording studio, balancing my theater and voice acting career, and |
| 1:05.9 | my eventual decision to leave New York and move to Los Angeles to pursue voice acting full |
| 1:10.4 | time. So, let's get |
| 1:12.7 | started. And now, the feature segment. As I explained in the last episode, the first voice |
| 1:20.2 | acting job I had was playing the role of Prince Hallis in a Japanese animated series called The Slayers. |
| 1:26.2 | Now, Prince Hallis was a one-shot character. What that |
| 1:29.0 | means is that he was featured in one episode of the first season of Slayers, but he never appeared |
| 1:34.1 | again in the show. This is often how people get their break, not only in voice acting, but in any |
| 1:39.2 | kind of acting situation. You audition for a studio, they like your audition, but they don't know how reliable |
| 1:45.3 | you are as an actor yet. So you're given a small role to show the director and producers that you |
| 1:50.2 | can deliver a good performance. If you demonstrate that you can perform well, take direction, |
| 1:55.6 | are punctual, professional, and pleasant to work with, then the studio is more inclined to hire |
... |
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