Hello, this is Joe. I'm just doing a quick thing here because it was pointed out that we

hadn't really done a proper intro to this, he might not know what's going on. So this

episode we're interviewing George Cain who directed the film David did earlier this year

called Apocalypse Clown and he's also directed me in an Apple thing I did. Yeah, we didn't

really explain that so we sort of dive into stuff and anyway. Okay, cheers, bye.

Hello, I'm Joe. Oh, I thought you were going to do the tour in the dock. I was like,

I'll go do that. Hey, hey, David. How are you? Good, nice hat. Yeah, I thought I'd be more

of a witness protection kind of thing. I could. George was in the dock when I came up for

our nose. I like him. Yeah, I don't know how to deal with this, George. Can you turn

it on, mate, pull the curves or something? Should I do it? It doesn't matter. Oh, I'm

pressed record on mine. There's recording here. Oh, yeah, no, I'm here, David. I'm

meant to do quick time, but you can, you don't have to have head. We found out you don't

have to have headphone because your George isn't. George is going to find that. You know,

you'd be George. George, do you care, George? I'm curious. Yeah, but the feedback you'd

think about that. I'm doing well. Thanks. I'm not too bad. I mean, my mother says in

Kerry in the mountains, southwest of Ireland. So I'm here with Danny. So yeah, I've got

Monday to fight it down here with him. Just doing a bit of remote work and hanging it

with him. Yeah. Nice. Go to your left. It feels weird talking to George with a microphone

in front of my mouth. Yeah. I feel like if I was not saying you're like my mother, but

I imagine if I talked to my mother with a microphone, it would be nice. What are you doing?

Does this out of context, isn't it? It's an uphill way. I feel embarrased. I feel

embarrased, George. I'm going to turn my my light off. George, why are you making me

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