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Learn Jazz Standards Podcast

Using Chromaticism to Develop Your Jazz Lines

Learn Jazz Standards Podcast

Brent Vaartstra: Jazz Musician, Author, and Entrepreneur

Music Commentary, Jazz, Jazz Improvisation, Jazz Saxophone, Jazz Theory, Jazz Bass, Jazz Piano, Education, Music, Jazz Guitar, Jazz Solo, Jazz Standards, Jazz Trumpet, How To

4.8536 Ratings

🗓️ 11 March 2019

⏱️ 15 minutes

🧾️ Download transcript

Summary

Welcome to episode 158 of the LJS Podcast where today we are talking about how to add chromaticism into your jazz lines. Chromaticism is one of the characteristics of a classic "jazz sound" and so we take a close look at how to implement it. We go over 5 different licks and gradually introduce chromaticism into them. Important Links: LJS Inner Circle Membership Free Guide to learn standards by ear: Learn Jazz Standards the Smart Way View Show Notes Learn Jazz Standards Inner Circle...

Transcript

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0:00.0

This episode is sponsored by the Learned Jazz Standards Inner Circle.

0:03.8

If your goal is to level up your jazz playing this year and feel confident improvising over

0:08.5

jazz standards, the inner circle has everything you need and more.

0:13.0

With monthly jazz standards studies, a library of powerful courses, and a vibrant community

0:17.3

of like-minded musicians, you're guaranteed to improve your playing every

0:21.7

single month. Podcast listeners can get 50% off their first month when you go to LJSinterCircle.com.

0:29.5

That's LJSinnerCircle.com or find the link in the show notes. Now, on to today's episode.

0:36.3

There are many characteristics of the quote

0:39.0

and quote jazz sound, and one of those characteristics is chromaticism, the idea of connecting

0:46.2

diatonic notes within a line, a musical idea you're trying to play with non-diotonic notes.

0:51.9

And you hear this, of course, all the time in bebop, really all over jazz.

0:56.1

It's that idea of tension and release, right? You have this tension note and then it releases

1:01.8

to another note. And this is the idea of really you can play any note as long as you resolve it

1:07.4

to a note that works within a chord or a chord progression. Context, of course,

1:11.6

is key. So in today's episode, I'm going to be going over multiple different examples of how

1:16.2

you can take a simple non-chromatic line and slowly add chromaticism to it to spice it up to

1:22.0

bring it to life. Let's cue the music. Welcome to the LJS podcast podcast where you get weekly jazz tips interviews stories and

1:32.0

advice for becoming a better jazz musician and now your host he's a jazz musician author and

1:38.6

entrepreneur brent bartstra all right what's up everybody brent here from Learned Jazz Standards, which is a blog, a podcast, and videos all geared towards helping you become a better jazz musician. Really thrilled to be here as always. Thanks to those who are regular listeners. I really do appreciate you. You're the reason. I keep doing what I do. And I do want to give a special welcome to those who are listening for the very first time. And on this show, I do lots of talking about jazz practicing. We talk about jazz theory. We talk about a lot of things, everything that has to do with becoming a better jazz musician. So if you're interested in that, you're in the right place. Like I said, today we're going to be talking about a characteristic of the classic jazz sound,

2:19.5

which is chromaticism.

2:21.2

Chromaticism is something that is important to jazz in the sound that a lot of people associate jazz with.

2:27.9

And I say a lot of people associate with because, you know, obviously I'm talking more about a classic jazz sound that 1940s, 1950s kind of sound.

...

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