Using Chromaticism to Develop Your Jazz Lines
Learn Jazz Standards Podcast
Brent Vaartstra: Jazz Musician, Author, and Entrepreneur
4.8 • 536 Ratings
🗓️ 11 March 2019
⏱️ 15 minutes
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| 0:00.0 | This episode is sponsored by the Learned Jazz Standards Inner Circle. |
| 0:03.8 | If your goal is to level up your jazz playing this year and feel confident improvising over |
| 0:08.5 | jazz standards, the inner circle has everything you need and more. |
| 0:13.0 | With monthly jazz standards studies, a library of powerful courses, and a vibrant community |
| 0:17.3 | of like-minded musicians, you're guaranteed to improve your playing every |
| 0:21.7 | single month. Podcast listeners can get 50% off their first month when you go to LJSinterCircle.com. |
| 0:29.5 | That's LJSinnerCircle.com or find the link in the show notes. Now, on to today's episode. |
| 0:36.3 | There are many characteristics of the quote |
| 0:39.0 | and quote jazz sound, and one of those characteristics is chromaticism, the idea of connecting |
| 0:46.2 | diatonic notes within a line, a musical idea you're trying to play with non-diotonic notes. |
| 0:51.9 | And you hear this, of course, all the time in bebop, really all over jazz. |
| 0:56.1 | It's that idea of tension and release, right? You have this tension note and then it releases |
| 1:01.8 | to another note. And this is the idea of really you can play any note as long as you resolve it |
| 1:07.4 | to a note that works within a chord or a chord progression. Context, of course, |
| 1:11.6 | is key. So in today's episode, I'm going to be going over multiple different examples of how |
| 1:16.2 | you can take a simple non-chromatic line and slowly add chromaticism to it to spice it up to |
| 1:22.0 | bring it to life. Let's cue the music. Welcome to the LJS podcast podcast where you get weekly jazz tips interviews stories and |
| 1:32.0 | advice for becoming a better jazz musician and now your host he's a jazz musician author and |
| 1:38.6 | entrepreneur brent bartstra all right what's up everybody brent here from Learned Jazz Standards, which is a blog, a podcast, and videos all geared towards helping you become a better jazz musician. Really thrilled to be here as always. Thanks to those who are regular listeners. I really do appreciate you. You're the reason. I keep doing what I do. And I do want to give a special welcome to those who are listening for the very first time. And on this show, I do lots of talking about jazz practicing. We talk about jazz theory. We talk about a lot of things, everything that has to do with becoming a better jazz musician. So if you're interested in that, you're in the right place. Like I said, today we're going to be talking about a characteristic of the classic jazz sound, |
| 2:19.5 | which is chromaticism. |
| 2:21.2 | Chromaticism is something that is important to jazz in the sound that a lot of people associate jazz with. |
| 2:27.9 | And I say a lot of people associate with because, you know, obviously I'm talking more about a classic jazz sound that 1940s, 1950s kind of sound. |
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