One of the things that I really love about audio storytelling is the way in which you

get to play with what is, quote, unquote, scene and unseen in different ways than you do

in a visual storytelling space, that your writers and your sound designer get to collaborate

in this really interesting way to decide what is present and what's not.

So first, I want to just remind the audience of some basics, so just to remind everybody that

the design of Fenwood House, when it was first designed, was designed by Ryan Sheely. And when Ryan

built it, he actually designed a walkthrough blueprint of the house where everyone sort of got to

follow along a moving dot as though they were walking through the house and hearing all of the

different creeks and the swings of the doors and the rattle of the radiator and the windows and

everything. And everything is very precisely laid out so that you know where in the house you are

based on the quality of the sounds or which sound it is and things like that. And I feel like

I should jump in here and say, that's a thing that we created for our internal team. So like,

dear listener, if you're hearing this and going, wait, I missed it, you didn't, it's not, we have not

released it publicly. No. It's an internal thing for the team. This is like how they built the

design of the house because the house is very clearly its own character. Another very common thing

in the Gothic right, we're talking about landscape, the spirit of place in the spirit of place

necessarily means that place has its own character and its own personality and it is its own thing.

Just very clear, a fun woodhouse, especially in season three.

Jeez, okay. So that's one thing I just wanted to remind everyone of like how this design came about

and the fact that you can track the different sounds in the show, in the podcast and see everyone

using the same sounds and the same places and so that way you can track where people are in the

house and you know where sometimes where they're not in the house. It's fine. And it's also

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