4.6 • 908 Ratings
🗓️ 26 October 2024
⏱️ 47 minutes
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0:00.0 | Tetrogrammaton |
0:02.0 | Tetragrammaton |
0:06.0 | Tetragette |
0:09.0 | you have to remember that it's all based on Red Riding Hood, you see. |
0:27.6 | Nothing has changed since Red Riding Hood. |
0:29.6 | So what they're frightened of today are exactly the same things they were frightened of yesterday. |
0:36.6 | Because this, should we call it, this |
0:39.8 | fright complex is rooted in every individual. Do you think women and men are frightened by |
0:48.7 | different things in movies? Oh, I would say so, yes. I would definitely say that, after all, women are frightened by a mouse. |
0:57.9 | You don't see men jumping on chairs and screaming. |
1:02.1 | So there are definitely different things. |
1:04.8 | Do you aim to frighten men or women? |
1:07.8 | Women, because 80% of the audience in the cinema are women. |
1:13.2 | Because you see, even if the house is 50-50, half-men, half-women, |
1:21.2 | a good percentage of the men has said to his girl, |
1:25.9 | being on the make, of course, what do you want to see, dear? |
1:30.1 | So that's where her influence comes as well. So men have very little to do with the choice of the film. |
1:38.5 | Are American and European audiences frightened by different things? |
1:43.7 | I would say no. |
1:45.0 | You've got to remember the American audience is the global audience. |
1:50.0 | As I once reminded an Englishman, I said, you don't understand America because you think they are |
1:58.0 | Americans, but they're not. |
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