Hello listeners what on earth is this an episode on Tuesday

surely they must be some kind of mistake well no there's no mistake this is a bonus

episode it was a bonus episode at Patreon and since it's now had five years of exclusivity there

I thought I'd share it as a bonus episode here too.

It is in short a cutscene from what ultimately became

episode 14 of season 4 which was the the episode that you listened to previous to this one.

I will leave it to myself from 2017 to explain, though please note when I make reference to episode 27 in my introduction, I'm referring to the Underwood and Flinch Underground episode number

at Patreon because this is a Patreon episode and Patreon's episode 27 is, as I say, our season 4 episode 14.

So what you are about to hear then is the original Patreon bonus episode including intro and outro got it course you have is not

complicated oh and by the way do stick around at the end of the the 2017 recording for an additional 2023 outro from me. Oh yes.

Okay, over to you past Mike.

Hello you, me here for a very laid-back podcast,

with me literally laid back in my chair,

as opposed to, you know, in my little studio where I usually am with my

legs crossed and my my arm on the arm of the chair chatting to you like some night owl DJ like Adrian Barboo in the 1980 film The Fog.

This is Stevie Wayne, your nightlight, and K-A-B Antonio Bay is on the air.

I do like the fog, even though it's got its flaws.

Like number one, why the flip would a young woman like Jamie Lee Curtis want to have a romantic relationship with craggy old geezer Tom Atkins.

I know he had a van or whatever it was he was driving around him, but every time I watch that film I think, really?

Oh, but anyway, yes, back to this podcast.

I wanted to get something out to you this week, patrons, but the next episode of Underwood and Finch

underground is still being finalized and polished as always with the police

...