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Clear+Vivid with Alan Alda

Two Actors Talk Acting

Clear+Vivid with Alan Alda

Bobi NYC

Comedy, Society & Culture, Science

4.73.8K Ratings

🗓️ 22 December 2020

⏱️ 41 minutes

🧾️ Download transcript

Summary

Two old friends who have played together on stage and on camera have a chat. And not only discover new things about each other’s approach to acting, but also share their joy of connecting on stage – and the role the audience plays in those moments of spontaneity that make a live performance magical. Support the show: https://www.patreon.com/clearandvivid

Transcript

Click on a timestamp to play from that location

0:00.0

I'm Alan Alder and this is Clear In Vivid. Conversations about connecting and communicating.

0:12.0

Do you remember that time where I entered in the second act and I have a string of six

0:24.5

expletives? They're all the same. They begin with F and they end with K and I have to say it's six times in a row.

0:31.4

And I got through three of them and then some guy from the third row goes,

0:36.2

language! I couldn't believe it. I thought, geez, I'm in trouble. I got three more fucks.

0:47.9

I love those events. I mean, I bet that that for me is what I miss more than anything right now is

0:54.1

the experience of being with an audience. That's Leip Shriver reminiscing with me about the time

1:00.4

we acted together on stage in the David Mamit play Glen Gary Glen Ross. We remembered the fun

1:07.4

we had playing opposite each other moment to moment in front of a live audience and those

1:12.9

uncomfortable moments when you can't remember what comes next, which is called in the trade, going up.

1:19.7

Hello, Leip, I'm so glad to see you again. I missed you. I missed you too. I want to see you. I

1:28.5

hopefully will be seeing each other soon. I'm all set in case you need me to play the

1:34.0

psychiatrist. I'm going to get my horn room glasses. Yes, I need you. And I know all my lines.

1:39.3

Both in real life and on Ray Donovan, I need you to play the psychiatrist.

1:43.2

Well, I've been practicing my lines. They were always the same. I always say you want to talk about

1:50.3

that. I'm sorry. So I'm okay with that now. I got that down. Good. I'll try and keep them in that vein.

2:00.8

You seem to have this uncanny ability to think of an approach and then do it.

2:06.5

And that's different for me. I have to find it in a way through improvisation or by doing it many times.

2:16.8

I think you're giving me more credit than I deserve. What do you mean? I think about a...

2:22.4

I don't know. I get the idea that you maybe I'm wrong about this, but I've gotten the impression that

2:27.7

you read the play over and over and you keep thinking about what it means and what's going on in

2:34.6

the scene and who you are and then you get up and do it. Is that... Am I wrong about that?

...

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