Twilight Mirage 01: The Beloved Dust
Friends at the Table
Friends at the Table
4.9 • 2.2K Ratings
🗓️ 30 June 2017
⏱️ 115 minutes
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| 0:00.0 | Dispatch 57A. |
| 0:05.0 | Satellite, the moment that a ship breaks through from the long black into the twilight mirage is breathtaking. |
| 0:17.0 | Every new arrival splits the difference between violence and creation. |
| 0:24.2 | With the divine fleet licking its wounds, any unexpected change carries threat. |
| 0:29.6 | But as we learned a long time ago. Threat carries possibility. So, when the stable |
| 0:36.4 | curvature of the H.S. Mercury's kiss disturbed the pomegranate blots of |
| 0:40.6 | Emperians false nebula, I knew things were about to get interesting, which satellite |
| 0:46.7 | makes my job a whole lot more tolerable. |
| 0:50.5 | But as I watched that ship hang in the clouds above the floating city of Séons, |
| 0:55.0 | looking down on that impossible open-aired metropolis in the stars, |
| 1:00.0 | I wondered for a moment if it might be okay that my tenure here be boring, |
| 1:05.0 | that perhaps my desire for more active afternoons should come second to maintaining the long-lasting |
| 1:11.2 | serenity of the divine fleet. |
| 1:14.2 | But I have seen the projections, and the projections don't lie. |
| 1:18.0 | They don't know how. |
| 1:19.9 | A graveyard's architecture can be sublime, yes, and grieving can be joyous. |
| 1:26.2 | But that doesn't change the fact that Seance is first and foremost, a home for the dead. And the You're going to be. Welcome to Friends at the Table and actual Play Podcast focused on Critical World Building Smart Characterization |
| 2:14.4 | and Fun Interaction Between Good Friends. |
| 2:16.3 | I am your host Austin Walker, and today we will be playing The Vale by Fraser Simons, |
| 2:21.7 | and if that sounds new, it is new because we are playing a new |
| 2:25.5 | season of the show starting today though you are calling twilight mirage which is named after |
| 2:30.3 | the synthetic nebula described described in that intro. |
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