4.6 • 640 Ratings
🗓️ 28 February 2023
⏱️ 63 minutes
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0:00.0 | Has your neighborhood been terrorized by a skyscraper's tall monster? |
0:04.4 | Tune into this episode because you might be entitled to property damage compensation. |
0:09.8 | Howdy. I'm Jeff Goldsmith, and this is the Q&A. My agenda is simple. |
0:14.1 | Each week I plan to bring you in-depth insights into the creative process of storytelling. |
0:18.8 | And yes, if a big red panda damaged your neighborhood, |
0:22.0 | you should probably file a property damage report somewhere, wherever you would do that. |
0:26.9 | And folks, I am quite excited to talk about Pixar animations turning red today, |
0:32.0 | which has been Oscar nominated for Best Animated Film. In today's panel, we have producer Lindsay Collins and co-writer |
0:39.9 | Julia Cho and co-writer director Domi Shee. So it's a great panel today. And what I absolutely |
0:46.7 | love about Pixar animation is even though they have all the greatest technology and tools at |
0:52.0 | their disposal, it always just comes down to |
0:55.2 | storytelling. And Lindsay, Julia, and Domi were very forthcoming about their creative process |
1:01.0 | and what it took to make such a unique film that I know you'll dig this episode. And speaking |
1:06.5 | of things to dig, I hope you check out Backstory Magazine over at Backstory.net. You know, you could read us on a |
1:12.2 | desktop or laptop or via our iPad app, Backstory. And folks, our Oscar issue is coming out any day now, |
1:19.2 | and it's our 10th Oscar issue, and it's our 10th year of Backstory Magazine. So it all works out. |
1:25.7 | If you've never read us, I hope you go check out the free issue at backstory |
1:29.2 | net or in our apps you could see what we're about and look it would really mean a lot to me for my |
1:34.8 | podcast listeners and iTunes and spotify and for my youtube watchers of the backstory magazine |
1:40.6 | youtube page to support independent journalism by becoming subscribers. |
1:46.2 | So thanks for considering. |
1:47.7 | But now let's jump right into our conversation with producer Lindsay Collins, |
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