Hello everybody and welcome to Friday. Thank God it's Friday. I am your guest host, Dean Carriannis.

Thanks for sticking with me for the whole week. It looks like pretty much you did. I don't see much fall off even though it's the summer week. We managed to uphold Derek's standards. So thank you, give you all a pat on the back.

Holding your interest is what I am going to do now. I'm bringing in right away, right at the top.

George Coco Prius, my longtime writing partner, colleague from the Rush Limbaugh show in the Fox Days.

He was at the Drudge Report when he was there. George, welcome to the show.

Hey, Dean. How are you? Thank you for having me again. Really appreciate it. I hope I'm not going

to sink your numbers now. You've been doing well all weeks. You never know. You never know what could

happen. But I'm here and I couldn't be happier to be here with you. Well, I managed to plug the wrong

substack the other day, so I don't know how much of it is credited to me, but it was a postcards

from the shed. They'll find you. If you build it, Dean, they will come and they do.

It would be funny to hear you tell people who I am, because I can only do that so much. I feel

like it's self-serving and no one's going to

believe me. But tell the fine people in Derek's audience, I do actually work in a shed.

Yes, this is true. Dean, well, Dean spends a lot of time in a shed, but most of that is by choice.

But he does work in his shed. He writes in his shed. Sometimes he'll be watching a hockey

game in his shed. His lovely wife, Kathy, does not like when I make fun of him and say he lives

in the shed because he is an indoor husband. He's allowed in the house. He just owes out to the shed

to do his creativity, which is voluminous, the columns and the podcasts and the interviews. It's just incredible, the

amount of work that you put into it. The shed is the atmospherics. I think I don't know if you

could function without the shed at this point. You're going to take that thing wherever you go

if you ever go anywhere. It's true. All that New York song that work, pretty much. Sometimes if I go

on the road, I write something out of my usual comfort zone in the shed, and I will say to George, I'm on the road. I'm trying to find what they have in the hotel that might be shed like. When you were younger, you just kind of, you know, you're in a hotel and then you go out and then you're back. But now, going to a hotel,

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