What's up? You'll hear it listeners. This is Caleb Kirby with You'll hear it. We are running some topics back at you this Friday, and we're going to

start with the topic of mistakes and how we can handle them on the band stage and off the band

stage. I've got a few clips here from Adam and Peter talking about how exactly we can go forward

and use those mistakes as opportunities, I would say.

They do a great job of explaining that.

And without further ado, I will introduce Adam and Peter at their most

compilated.

How quickly can you get away from the problem, from the mistake, from the unexpected, unforced error, whatever it is.

Like a lot of people focus in on that and like, why did you do that?

Well, why, you know, and start to try to fix that.

And the fix is in what are you going to do?

Now, you might have caused the problem and need to be the solution

or it could be something. It doesn't really matter, actually, because, you know, it depends if it's a solo thing, if it's a team, if you're in a band. Like, like, like that moment for it, it doesn't matter. It doesn't matter. Like, are you going to be part of the solution or be part the problem. A lot of people think that means

well, oh, I can

identify what the problem was. I didn't

cause that problem. But if you're focusing on the problem after it happened, especially we talk about a musical contact where time, time is moving all the time. Yeah. You know, even if you're playing Roboto. Yeah. Time, like, there's no give back. You're now, takeovers. You're now extending the problem. Doovers. You're making the problem worse.

Now you are part of the problem.

Yeah.

Anytime you're not focusing on what's before you, which is the music, you're making the music worse. Yeah. So if you're dwelling on the problem or you're pissed off that the problem happened, you're going to lose out in the end. Like it's not going to be good. And I think that when we look at the musical context that we would find ourselves in

if something goes around,

like you mentioned, out in the end. Like, it's not going to be good. And I think that when we look at the musical context that we would find ourselves in

if something goes around, like you mentioned, your drummer turning the beat over.

...