4.6 • 601 Ratings
🗓️ 4 November 2022
⏱️ 30 minutes
🧾️ Download transcript
This week we meet Swedish film director Ruben Östlund. His new movie Triangle of Sadness won the Cannes Film Festival’s top prize, the Palm D’Or, and is one of the most talked-about releases of the year. It seems like an ‘eat the rich’ story, but Ruben disagrees. He says it’s a critique not just of the wealthy, but of all of us. Then, we take a tour of first-class airplane food. After losing nearly $200 billion during the pandemic, airlines are pouring money into high-end meals. Journalist Kitty Drake did a taste test, and came away with bigger questions around what we look for from luxury.
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Want to stay in touch? We love hearing from you. Email us at [email protected]. We’re on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.
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Links and mentions from the episode:
– Triangle of Sadness is out now in all US and UK theatres
– The FT’s review of Triangle of Sadness: https://on.ft.com/3FHKlkw
– Arts editor Jan Dalley wrote about rich-bashing, featuring Triangle of Sadness: https://on.ft.com/3fyXTUK
– Kitty’s article on plane food: ‘The airline industry is in trouble. Is bottomless caviar the
answer?’ https://on.ft.com/3DCkc3M
– Kitty is on Twitter @kitty__drake.
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If you want to try FT Edit (8 stories a day, hand-picked by senior editors), it’s available in the iOS app store here: https://apps.apple.com/gb/app/ft-edit/id1574510369
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Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco
Read a transcript of this episode on FT.com
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0:00.0 | Sometimes I like going to a movie without knowing anything about it, just walking into the |
0:06.7 | theater, almost blind, sitting down, seeing what happens. |
0:10.9 | I did this recently with a movie called Triangle of Sadness. |
0:14.7 | All I knew is that it won the biggest prize at Con Film Festival this year, which is called |
0:18.8 | The Palm Door. |
0:20.3 | A Triangle of Sadness is a dark comedy about a model and an influencer, and it's a social commentary. |
0:26.4 | But about a third of the way through, it gets very dark and very physical, and I was entirely |
0:33.3 | unprepared. Basically, they're on a luxury yacht and there's a storm outside and the boat starts |
0:39.0 | rocking really wildly. And almost everyone on the cruise starts vomiting. It was approximately |
0:46.7 | 18 minutes of vomiting. So much that I actually thought I might vomit so I had to get up and |
0:53.2 | go outside and listen to it from |
0:55.9 | outside of the door until it was over, and then I came back in. And the message to me was pretty |
1:02.5 | clear. It was, the rich should be punished. The director's name is Ruben Oslund, and he seemed to take |
1:08.9 | real pleasure in putting the 1% on a boat |
1:11.4 | in making them suffer. |
1:13.9 | So when I talked to Rubin recently for this episode, I was surprised that he actually doesn't |
1:18.7 | think of this film in those terms at all. |
1:21.3 | First of all, I want to say, I'm not the fan of the, how to say, advertisement of the |
1:26.9 | movie as an Eat the Rich movie, because what I |
1:30.6 | actually tried to do was to portray everybody as nice. Everybody's failing in my movies, |
1:35.8 | but everyone is failing. Not only the rich people are failing, everyone is failing. |
1:42.2 | Actually, a lot of major critics read Triangle of Sadness as an Eat the Rich movie. |
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