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The Great Women Artists

Tracey Emin

The Great Women Artists

Katy Hessel

Arts

4.8944 Ratings

🗓️ 25 February 2026

⏱️ 60 minutes

🧾️ Download transcript

Summary

Dame Tracey Emin is BACK on The GWA Podcast! Hailed for her paintings, videos, textiles, neons, writing, sculptures, installations, and now, her extraordinary work as an educator, raising the next generation of artists at TKE Studios in Margate, right by where we are recording today – Emin has been at the forefront of art for more than four decades. Born in Croydon, and raised in Margate with her twin brother Paul, Emin had a complex child- and teenagehood, which she details in her part-memoir, Strangeland – as well as in works such as Why I Never Became a Dancer or Mad Tracey From Margate. Officially leaving school aged 15, Emin went to Maidstone College of Art, and onto the Royal College – where she won over her interviewees with her impressive sketch book selection. In 1993, she kept a shop in Brick Lane, titled “The Shop”, which ended with a party on her 30th birthday, and that year had her first exhibition – at a then-new gallery called White Cube. On view were objects she had collected over the years – from teenage diaries to toys, paintings, drawings and unsent letters. She titled it My Major Retrospective, just in case she never had another show. However, this was just the start. Emin has since exhibited all over the world – most recently the Yale Center for British Art, where I saw her work a floor above JMW Turner, getting me to realise the painterly relationship between the two artists – despite working 250 years apart – from how Emin plays with moods akin to his stormy weathers, to how the bodies in her paintings evoke his mountainous landscapes, with vein-like rivers. As well as Palazzo Strozzi, highlighting Emin's relationship to the history and iconography in Italian art – such as life, death and the crucifixion, to the decay of the body and enlightenment through spiritual (and sexual) quests. It challenged the city’s history, revealing the rawness of a woman's perspective in a culture that so rarely addressed it. Now, we meet in Margate on the occasion of the largest – and perhaps the most important – exhibition in her life so far, “A Second Life” opening at Tate Modern on 27 February, in the very city where her artistic life thrived. But it’s also a show taking place after monumental personal shifts, such as her mother’s passing in 2016, surviving cancer in 2020, the opening of her free studio-based art school in 2023, but also when the world couldn’t be more excited for Emin. She has said of this show to be a “true celebration of living” and I can’t wait to find out more… -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Transcript

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0:00.0

Hello everyone and welcome back to season 15 of the Great Woman Artist podcast.

0:07.0

I am very thrilled to be bringing you a fantastic series featuring conversations with artists, writers, curators and more.

0:14.0

Before I introduce our sponsor, I am very excited to let you know that I have written a new book for younger readers. It's an adaptation

0:22.6

of The Story of Art Without Men. It's called The Story of Art Without Men, an illustrated guide to

0:28.3

amazing women artists. And it's for readers aged 8 to 14, but also aged 8 to 108. It's for anyone

0:35.4

and is brought to life with beautiful illustrations by Pingzu

0:38.9

and artworks from the past 500 years. From the Renaissance to the present day via Cornwall,

0:45.7

Japan, Paris and New York City. This book features a whole host of artistic trailblazers,

0:51.7

freedom fighters and game changes and and of course, includes additional

0:55.6

chapters from the original story of art without men. Get your copy now. And now for our sponsor,

1:01.9

I am thrilled to say that this series is supported by the Levitt Collection, a vast and varied

1:07.8

art collection, and which in the last eight years has become entirely focused

1:12.2

on works by women artists. You can find much of this made up of impressionists, abstract expressionists,

1:18.8

contemporary artists, and more, at FAM in Mujan in France. The first private museum in mainland

1:25.8

Europe devoted entirely to female artists spearheaded by Christian Levitt,

1:31.3

who has published three research books in this area.

1:34.3

Recently, they launched the Levitt Letter, a monthly subscription-based letter,

1:38.3

advising collectors and dealers on the future trends in this specific art market.

1:43.3

Subscribers to this letter also become members of the Levitt Lounge, a community where he shares

1:49.2

his valuable insights and expertise and gives subscribers direct access to visiting Levitt's

1:54.7

homes in Florence and Mujan and the monthly webinar.

1:58.3

Across all these platforms, Levitt is shining a spotlight on the creative

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