Toñita’s Club Fights Erasure
Latino USA
My Cultura, Futuro and iHeartPodcasts
4.8 • 3.8K Ratings
🗓️ 9 February 2025
⏱️ 43 minutes
🧾️ Download transcript
Summary
Transcript
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| 0:00.0 | It's May 22nd and the world is raving about the release of Bad Bunny's new album, |
| 0:13.6 | A Verano Sin Tee. |
| 0:18.1 | During his promotion in New York City, the king of reggaeton, or pop music in general, basically, chose to celebrate the lunch in a quite unexpected place. |
| 0:30.9 | He's in this modest Puerto Rican bar in Williamsburg, Brooklyn, decorated with LED Christmas lights, flowery tablecloths, and walls |
| 0:39.2 | full of family photos, baseball posters, and framed newspaper clips. |
| 0:44.3 | It could be your grandma's living room. |
| 0:49.7 | Bud Bunny is next to this tiny old woman with frizzy white blonde hair who's always smiling. |
| 0:58.2 | All of her fingers are taken over by these giant, colorful rings. |
| 1:02.9 | She exposes them in front of her chest for the photos, like a peacock opening its tail. |
| 1:09.2 | And Bud Bunny imitates her. People shout La Reina, the queen. But Bani describes |
| 1:17.7 | her as the real flow. Her name is Maria Antonia Kai, but everyone in New York City knows her |
| 1:26.7 | as Toinita. |
| 1:33.3 | She's the owner of the Caribbean Social Club, a gathering for Puerto Ricans and other Latino communities since the 1970s. |
| 1:36.0 | And it's also the last Latino social club standing in Brooklyn. |
| 1:44.2 | But Bunny is behind the bar next to Toñita, drinking a medalla beer, the Puerto Rican |
| 1:49.6 | label, and serving cocktails in plastic cups. |
| 1:54.0 | Having a Puerto Rican star, like Bad Bunny, spending the night at Tonitas, was a big deal |
| 1:59.1 | for its Boricuan owner and her community. |
| 2:02.0 | And he's not the only one. Jennifer Lopez, Madonna, or Maluma have shown up at the club as well. |
| 2:09.0 | But a year after Bad Bani's visit, Tonita herself was in court, |
| 2:13.9 | fighting to keep running the club the way she's always done it. |
| 2:22.1 | From Futuro Media and PRX, |
... |
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