Hey Adam Anas.

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Peter, you know my very first ever gig.

Yeah.

Regular gig, weekly gig, Sunday brunch. Yep. I was 15 years old. My dad had to drive me Sunday brunch at the double tree in Chesterfield. This is the second time I mentioned Chesterfield on the podcast. Right. I think you mentioned Chesterfield cigarettes at one point, but we're talking about Chesterfield, Missouri. Trio gig,

Chesterfield, Missouri, the double tree, and like, I think it paid like 50 bucks, but we got

full run of the brunch buffet. And let me tell you something. I was a big boy. And I took full

advantage to that dessert island. So, yeah. Desert Island. But it is weird. Desert Island. Well, let's tell people what we're doing

today. First of all. Okay, so we're talking about albums. I think most people know this.

We're taking a bit of a risk today. We're taking a little bit of a risk. We're hoping for

avoidance of full cancellation for either of us. Can we agree that we're going down together?

We are going down together. Listen, we might have bad taste. That's nothing you can cancel someone over. That's right. Oh, my friend, that has happened. I guess so. I guess so. No, but the idea is like you see these lists, the 10 greatest jazz albums of all time, 10 Desert Island, although is it dessert? Is it deserted island? Because deserted implies that there was someone there before and they deserted it. I think it's desert island. But they always have a picture of this island, so obviously somebody was there. Yeah. But it's not desert because it's tropical palm trees. It's very strange concept. But you know the idea is that like, okay, you're stranded somewhere. You can't get to civilization. What are the five albums that you would bring? And we're going to list today. Hopefully you have a turntable on electricity. Yeah, I don't know why you would. But we're going to name some today that are on probably a lot of people's desert island lists. In fact, these have, like, we're kind of agreeing these have to show up on somebody's list. These can't be random stuff we don't like yeah and so and but these would not go on our desert island list which doesn't mean that we don't like them or that we hate them it just means that we don't love them enough we don't want to listen to them endlessly for no it's like i think for most of these i'm going to speak for myself here but for most of these i'm good like i think i myself here, but for most of these, I'm good.

Like, I think I've, I've heard them.

Most of these I've heard several times.

And I don't need to listen anymore. Some of these even I've listened. I mean, they're not offensive at all. Oh, but to, but, but classics. A lot of them. Well, yeah. I mean, and I think some of these I can certainly see why some people would love that.

So this is not to disparage anybody else's taste to each his own for sure. Yeah. But they just don't, for whatever reason. And actually, do we have any that we do not concur on that one of us would have on? That would be fun. And we might actually. Okay. We might actually. So we'll take the lead. I think we have a couple. I think we have one of mine that you would like and one of yours that I would like. Right, right.

But I think a lot of these mine that you would like and one of yours that I would like.

Right, right.

But I think a lot of these, well, I don't know. We might be pretty split here, honestly, buddy. Some of these might be going on your desert island and not mine. Okay. But, you know, we have the gentlemen and ladies agreement. The gala. The gala. We're bringing the gala back.

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