Tom versus the Flash number 174 or see you later this summer, Carmine.

Welcome back for the Flash number 174, the November 1967 issue entitled

Stupendous Triumph of the Six Super Villains, written by John Broome, pencils by Carmine Infantino,

which will, this, I'll get to this in a second, inked by Sid Green, featuring a cover penciled by Carmine Infantino, which will, this, I'll get to this in a second, inked by Sid Green,

featuring a cover penciled by Carmine Infantino, inked by Murphy Anderson, and the issue is edited

by Julie Schwartz. This is the final issue that Carmine and Fantino will pencil until far later in

the run. He comes back in the 300s to do some more flash, but it looks a little different

and the style changes a little bit, and it's a little bit sad to see Carmine go. This isn't a

review podcast in the sense that I don't go over all the art and the writing, and I don't pick

it apart from that point of view because I already do that around comics, and I just like

talking about the stories,

and I like pushing how much I enjoy them.

But I'd like to take this opportunity to say that

Carmen and Fantino's art in The Flash is awesome.

As far as drawing things that are fast, sleekness,

just streamlined materials,

drawing future technology, everything is so just slick looking, but not like in

a surfacy way, but just everything flows so nicely. And when his, he leaves, even though

replaced with very competent artists, it never quite has the same feel that it did when

Carmine and Fantino was doing it. I had the pleasure of meeting him

once and talking to him for half an hour. So I feel very fortunate because I loved his art. So enough

with the gushing. Let's get on to this story. We start in a Midwestern prison. Latin Central

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