4.2 • 824 Ratings
🗓️ 19 June 2022
⏱️ 28 minutes
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Johny Pitts discusses time with three writers who have explored it in very different ways
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0:00.0 | On a winter's night in 1974, a crime took place that would obsess the nation. |
0:07.0 | It was an extraordinary news story. |
0:09.0 | The story of an aristocrat, Lord Lucan, who's said to have killed the family Nanny, |
0:14.0 | mistaking her for his wife, then somehow just disappeared. |
0:18.0 | One of the great mysteries in English criminal history. We're still looking for Lucan. |
0:21.6 | It's honestly one of the most powerful stories of my lifetime. |
0:25.6 | I'm Alex Fondanzlement. |
0:26.6 | This is The Lucan Obsession. |
0:28.6 | Listen on BBC Sounds. |
0:30.6 | BBC Sounds, music, radio, podcasts. |
0:36.6 | The difference between the past and the future refers only to our own blurred vision of the world. |
0:43.3 | Is it really possible that a perception so vivid, basic, existential, my perception of the passage of time, |
0:50.3 | depends on the fact that I cannot apprehend the world in all its minute details. |
0:55.4 | That's a passage from the order of time by the physicist Carlo Rovelli, |
0:59.2 | who will be speaking to later in the show, along with the novelist Audrey Niffenegger, |
1:03.5 | because on today's open book, we're going time travelling. |
1:07.2 | And we begin very much here in the present with a brand new time-bending book on many must-read lists for the summer by Emily St. John Mandel, which takes us back to the early 20th century and then zooms two centuries into the future. |
1:21.9 | Described as sci-fi with soul, Sea of Tranquility is by the same novelist behind the best-selling Station |
1:27.8 | 11, a prescient 2014 book about a global pandemic, recently turned into a 10-part HBO series. |
1:35.8 | Emily's latest novel knowingly alludes to similar themes, darting back and forth through |
1:40.3 | eras. It threads together the one constant of humanity, offering us a vision which |
1:45.2 | refreshingly avoids being naively utopian, no completely devoid of hope. And I'm happy to say |
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