We're back! We're back! We are truly back! It's the distraction! I'm drool! That's my

co-host David Roth. How you doing, Roth? I'm good, man. Great to be talking to you on

the podcast again. We have a new production company, so that's why I introduced you by

your full name, the case people who already subscribed and listed this podcast, didn't

know who you were. You might be Eli Roth. Who's to say? If it's the Altur behind Hostile

2, that's the one with the boys in it. I've never watched an Eli Roth film. I've only

seen him acting in Tarantino movies. I saw a death proof on the plane to Minneapolis,

which I did not like. I'm going to like it even if I know there are enormous platoes

in it and just flaws. Way too many feet shots. This movie, I was like, this is a bad movie.

As I recall, a death proof definitely delivers on the feet stuff. Right the gates is lacking.

Right from the opening credits. It's just boom! Feet. Okay. All right. We get it, Quentin.

We know what you're about. Yeah, I feel like that's one of those things where if that's

the only part of the Quentin Tarantino experience that you're able to deliver is like Rosario

Dawson's Arches, then somebody at the studio needs to be like, man, there needs to be characters

in this as well. Those characters are allowed to have feet. You're even allowed to show them.

You just need to do more than that. We had a long hiatus because we were switching over to the folks

at Multitude. I want to tell you that it was really nice and I feel refreshed after the break

and taking my family to Paris. I feel none of those things. I'm absolutely as fatigued as I was

when we left. That is fucking cool. That is pain in the ass. I absolutely know what you're talking

about. If Christmas was great, I didn't work for a while. That was also cool.

But yeah, as soon as you flip the switch and you're back on a work cadence in January with days

that are three hours and 17 minutes long, that sucks. I hate it. I had a really hard time keeping

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