But there's a couple things that should be pointed out here, right?

So this story is being told to Venezuelan audiences.

It's being told to American audiences.

And all we're getting is sort of this emphasis on this political prison that Venezuela has, at least a weed.

At least a weed houses under,000 prisoners, right?

The United States is allied with and is, like, actively facilitating the transfer of prisoners to Seacot in El Salvador.

Seacot and El Salvador holds 40,000 prisoners.

It's like the largest mega prison in the fucking world.

They're trying to double its capacity to 80,000.

So when you look at those two things, you realize one's really big, one's really small,

and one is being supported by the United States or one is being condemned by the United States.

This is the way to look at this shit, right?

Not to just deny that it doesn't exist or to deny that it exists.

Look at the inconsistencies here, right?

And really, above all, look at the United States' prison system,

in proportional to everyone.

We have more people in prison than anyone,

and we have a massive, really oppressive, nightmarish federal prison system for, you know,

who we call terrorists that is, you know, pretty analogous to this that, um,

that our pal Eric King, previous guest of the show has has been to for, you know, destroying property and things like that.

So you got to take into account you're watching high drama when you watch something like this.

And the other important point about this film that I wanted to make is that, like I said, the director, the creator of it is he made it in

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