But you know, at the end of the day, it's like, I see where they're coming from.

I don't hate them.

They're prioritizing their job, which is maximize profits.

And they're not looking after me.

I'm, that's not their job.

I don't expect them to.

So the writers have to look after ourselves.

And at the end of the day, we want, we want the same thing that they want, which is,

they want to make boatloads of money.

And we want to be the people who make them that boatloads of money, right?

That's it.

We just want to be able to afford to be able to do that.

It's a pleasure to welcome to the podcast.

Someone who's going to make sense of the WGA strike and all the things that are going

on in Hollywood or not going on.

Screenwriter, show runner, Michael Jammin is with us.

Michael, welcome.

Thank you so much for having me.

What an honor.

Oh, the honor is all mine, especially because you were the creative force behind King of the

Hill, Beavison, but had I want to say, Maron, some little high comedy.

I'm a huge Mike Judge fan.

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