4.5 • 942 Ratings
🗓️ 8 October 2015
⏱️ 18 minutes
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0:00.0 | In this episode I want to take a look at the work of W Eugene Smith and |
0:03.7 | W Eugene Smith was probably one of the most prolific in many ways the most |
0:07.5 | brilliant and one of the most important photojournalists to come out of the United States |
0:11.0 | in the mid 20th century. |
0:12.8 | If you're not familiar with his work, |
0:14.4 | I will say that Eugene Smith can be |
0:16.2 | somewhat overwhelming because of the sheer volume of it. |
0:18.9 | And if you are familiar with his work, |
0:20.3 | you know what I'm talking about. |
0:21.6 | Eugene Smith rarely worked with single images. |
0:24.2 | He liked to work in what was referred to in the 1950s as the photo essay. |
0:28.7 | And the way the photo essay worked, if you consider where media was in the 1950s versus where it is today. We didn't have the |
0:33.9 | plethora of cable channels or internet or any of those things. And there were |
0:37.3 | several publications. Life magazine was one of the big ones that would send |
0:40.5 | a photographer out in the field to cover a story. |
0:42.8 | They would come back and the story would be printed over a series of magazine spreads |
0:46.8 | and multiple images that would work together to tell the story. |
0:50.0 | And Eugene Smith was one of the masters of this medium. And it was one of the masters of this medium. |
0:53.3 | And it was one of the things that just really |
0:55.8 | made him one of the brilliant minds in photojournalism. |
0:58.9 | And his work is also very complex. |
1:01.9 | As I mentioned, the sheer volume of it it so what I want to do is give you |
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