4.8 • 4.6K Ratings
🗓️ 9 October 2011
⏱️ 15 minutes
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0:00.0 | This is Cardinal Francis George. I invite you to join me for the next two minutes to reflect |
0:09.0 | with Father Robert Barron on the Word of God, which is the Word on Fire. Word on Fire Catholic |
0:14.2 | Ministries is a non-profit ministry at the forefront of Catholic evangelization, using |
0:18.9 | new media to spread the faith and every continent. Father Barron challenges us to open our hearts |
0:23.9 | to the Word on Fire, which is God's Word of Love for each of us. If our hearts are open, |
0:29.5 | the Lord can change and transform us so that we might speak with love about the one who |
0:34.6 | is love. The global benefactors of Word on Fire with the support of the Archdiocese of |
0:39.4 | Chicago now present Word on Fire. |
0:44.0 | Peace be with you. Friends, we continue this week with an extraordinary section of Matthew's |
0:50.4 | gospel. We've been reading from it the last couple of weeks. The chapter is now immediately |
0:55.0 | proceeding the account of Jesus, passion, and death. Something is really intensifying here |
1:00.8 | in Matthew. There's an emotional power to these passages. The Lord now is in Jerusalem. He's |
1:08.4 | addressing the chief priests and elders of the people. We hear that phrase repeated a lot. He's |
1:13.9 | addressing, in short, the religious establishment. He continues to contrast the kingdom of God, |
1:21.2 | which he's announcing from the religion that they represent. Now, don't overdraw this distinction, |
1:26.6 | but also don't underdraw it. There's always a danger within any religious system that the focus |
1:34.5 | becomes so exclusively on the sort of details and traditions and practices of the religion that the |
1:42.1 | heart of it's forgotten. And Jesus is always coming back to this point. Everything we do in a |
1:47.4 | given religion, including our own, is meant to open us up to divine friendship. I mean, that's what |
1:53.0 | it's finally about. And if you're so focused in a sort of fussy way, or even in aggressive way, |
1:59.7 | on the details without getting the heart, well, then, you know, what's the point? So that's, I |
2:05.1 | think, what these stories are about, these contrasts. Well, in this context, he proposes this |
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