This is the waves. This is the waves. This is the waves. This is the waves. This is the waves.

Welcome to the waves. Slates podcast about gender, feminism, and flawed, but lovable heroes.

Every episode you get a new pair of women to talk about the thing we can't get off our minds.

And today you've got me, Allegra Frank, and me, Madeleine Ducharm.

And today we're going to talk about TV. Of all the TV shows we expected to return this year,

Netflix's Master of None was pretty low down on the list. Last month, the comedy's third

season premiered more than four years after its second. And while season two was critically

claimed Master of None's hiatus and then quiet surprise return, we're met with very different

levels of excitement and anticipation. The new season of this rom-com, which is now called Master

of None Moments in Love, sort of like a mini-series, now stands as another example of a disgrace

celebrity's steps toward a self-made redemption. So Madeline, let's talk. What got you interested

in this subject this week in the return of Master of None?

I am most interested in this topic. The reason I can't stop thinking about it is that

the two people that are behind this new iteration of the Netflix original,

Aziz Ansari and Lena Weith, who play very different roles in this iteration than they did

on the other version of Master of None, they've both had pretty fraught public accusations

leveled against them in the past few years. And a lot of our listeners, maybe even myself,

maybe even Allegra, might consider one or both of them to be like pretty problematic.

But at the same time, the show sort of tells this intimate story of a Black lesbian couple,

and that's something we rarely see in a big Netflix series like this. So there are just lots of mixed

feelings around here, especially for me as a queer person watching this show. Mixed feelings is

the key phrase here. For those who don't know, Ansari was publicly accused of sexual misconduct in

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