THE TWO COREYS (with Katie Walsh & Billy Ray Brewton)
Screen Drafts
Clay Keller
4.7 • 556 Ratings
🗓️ 10 June 2025
⏱️ 144 minutes
🧾️ Download transcript
Summary
Film critic Katie Walsh is back at the Draft Table alongside producer Billy Ray Brewton, competitively / collaboratively ranking the filmographies of the two most famous COREYS to ever walk this Earth: HAIM and FELDMAN!
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Transcript
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| 0:00.0 | Thank you. Welcome to Screen Drafts. The podcaster experts and enthusiasts competitively collaborate in the creation of screen-centric best of lists. I am draft commissioner Clay Keller here with me, as always, my co-commissioner and color commentator, Mr. Ryan. |
| 0:51.8 | Marker. Marker. That's right. Thank you, Billy Ray. Ryan's back. Yeah. Yes. I am back. Ryan is back. Even though I was here last week. Return. Well, yes, you were at the GM table last week, of course. That's right. I wasn't here. I wasn't here for something. You were not here for the Catherine Bigelow's super draft. Thank you. Yes. With Mallory O'Mara and Eric Vespi, which was a great draft. I heard. Would have been even greater had we had the coquimish, of course. But he's back today and he's back where he belongs right did did we talk about the saga of the trailer |
| 1:30.2 | at all no was this all i don't know off i don't know we want to get that get into that the let |
| 1:35.6 | honestly we didn't want to put the listeners through that emotional trauma uh we didn't want to |
| 1:43.3 | answer so many questions about like right what's going to happen to the trailer |
| 1:48.3 | boys. |
| 1:48.8 | It just, it was too much. |
| 1:50.1 | Yeah, yeah, yeah. |
| 1:50.5 | We thought, you know, like any good, you know, big, terrible change, we thought, let's, you know, |
| 1:57.0 | keep it from the children until the last, you know, possible moment. |
| 2:00.6 | Right. But, and then everything worked itself out. Yes. I almost lost the trailer and I got it back. So it's fucking crazy. You almost lost the trailer. It was, we were all terribly, it was kind of like meet me in St. Louis. Where it was like, oh, no, I'm going to have to move. And then it just, it was, then I guess you don't. |
| 2:19.6 | Well, I should, I should mention also, maybe, maybe I just miss this, but I find it rather |
| 2:26.1 | threatening that that knife block is so prominent behind you in the kitchen. And I've never |
| 2:31.5 | noticed that before. Is that just for like protection? I mean, it's daytime. We can see more of the trailer because it's daytime. That's true. Yeah. I think that's it. There are no... During the day, suddenly you can see all of the weapons that Ryan has. Well, here's the thing. I don't lock this trailer. In fact, there are no locks in the trailer, so I just leave it open all the time. |
| 2:54.7 | Don't tell everyone that. |
| 2:57.2 | You just made a critical error, my friend. |
| 3:00.2 | Oh, my goodness. |
| 3:01.6 | Well, Ryan, congratulations. |
| 3:03.9 | You're back in the trailer. |
| 3:06.5 | Yes. |
| 3:06.8 | The nation breathes a sigh of relief. |
| 3:09.8 | This topic today, I'm going to get it out of the way up top. |
... |
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