4.8 • 601 Ratings
🗓️ 13 March 2019
⏱️ 34 minutes
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0:00.0 | Before we begin, let me just take a moment to set the scene for you. |
0:28.6 | You're walking through London, it's a cool, clear night, and you're walking through the theatre district. |
0:36.6 | There's theatres on every corner |
0:40.3 | advertising their shows but then you take a left onto West Street and when you look up the |
0:49.3 | theatre in front of you looks different it's's the Ambassadors Theatre, a beautiful traditional |
0:57.0 | London Theatre and along the trims of the awning are some words in a familiar font. Above the door |
1:05.0 | itself it says leave reality at the door. And then when you look up, the whole corner aspect of the theatre is covered with a huge |
1:16.6 | image. |
1:18.4 | It's an image of a room and the wall of the room is covered with stars. |
1:24.1 | And against that wall is a vintage television set and on it is a familiar white door. |
1:31.8 | And then when you look up further, there dominating the whole street are the words, the twilight zone. |
1:40.8 | This is the image that faced me on 9th of March 2019. |
1:45.8 | Now in the last episode I spoke with Ron Fogelman, the producer of Twilight Zone the play |
1:51.8 | that has just begun a three-month run at the Ambassadors Theatre in London. |
1:58.0 | And tonight, with a little help, I'm going to explore certain aspects of that show. |
2:03.7 | And I won't be going into deep spoilers, but there may be a little hint of things here and |
2:08.2 | there, just for the purposes of a review. |
2:11.9 | So I'm going to begin with a little information about the theatre itself, then I'm going |
2:16.7 | to be playing some audio that I recorded |
2:19.0 | straight after the performance that I saw two days ago, and then I'll come back at the end to |
2:25.6 | maybe give some credit to some of the actors and crew involved with this show. Now as we know at the |
2:31.7 | end of 2017, the Twilight Zone had a two-month run at the Almeda Theatre in London, |
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