Director Joshua Raffey has shown incredible skill with his documentary work, such as the HBO

docuseries on outcasts and crime, The Mortician.

I'm Elvis Mitchell. It's The Treat.

And his treat is a William Freak and reimagining of a classic that became a classic itself.

I'm Joshua Rofé, and this is The Treat.

A film that I find unbelievably inspiring is William Friedkin's Sorcerer.

I think the only way to see it for the first time is on the big screen,

and I feel like it might be the greatest thriller of all time.

I have never been on the edge of my seat to the degree that I was when I saw that film for the first time,

which thankfully was on the big screen, and saw it, blown away, considered it without question a masterpiece.

It's covered, okay?

That's okay. Where am I going?

Get a train down in Baltimore. Go to Pier 47. And at covered, okay? Yeah, it's okay. Where am I going? Could have trained down in Baltimore, but appear 47. And at customs, that's for Nat Glick. And don't mention my name. Because of right now, I don't know you, and I don't want to know you. I owed you a favor. This is it. You gonna tell me where I'm going? I swear to Christ. The deck is

stacked against every person on every level, including existentially. I think that is, I just think

that's so interesting. You know these guys are doomed, even though you think, oh, maybe somebody's

going to get away with something. maybe somebody's going to get rich.

But you just, you know, these are tragic figures.

We're carrying three cases each.

One is enough to blow your fire. Six cases will blow out the whole field.

That means you don't think all the trucks will make it.

One of us is a backup.

We won double illegal residence,

...