Also I'm just a little like I'm jaded with like Hollywood as metaphor

Fame as metaphor for love. I'm tired of like, yeah, this like feminist consensus that like people treat you

bad if you're not hot and sexy and sub up for suspending disbelief and I like am up for

suspending disbelief and I don't need my films to all be like heart have hard realism in it but I'm just at a point in my life where I'm guess I like I want to see a movie about like a real person and not like yeah same

metaphors for like female experience yeah but I think like the thinking is like that's

the way that you have to like

appease the masses and of course like ultimately when you think about it like the

er reference for this particular film was like a film that's already been made called Sunset Boulevard.

I mean, yeah, I mean it's people are calling it Hagsploitation, you know, which is like a genre for sure I guess we had like that's

I guess we had like fat sploitation with like the whale and then fat and blaxploitation with precious.

I mean that was a while ago.

Yeah.

I'm looking up. Yeah. Yeah, if you look up Hacks

Sunset Boulevard Hacks location, yes,

like mommy dearest. It comes to mind.

Haryedaries on this list. I wouldn't call that hexplitation.

A bunch of bullshit. Noons.

You know, like some dusty mommy dearest. Oh, baby Jane, whatever happened to baby Jane of course the Betty Davis John Crawford they're both like like monster's wearing white face

yeah So it's, yeah, it's tried and true. It's a rich like genre to mine. This was not, this was serviceable, I'd say, as a genre of film.

But, you know I overall kind of like to and like every time I go see a movie these days I

basically feel like a Hamas prisoner in an IDF jail.

So you're just happy for the rest fight.

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