The Stringer: The Man Who Took the Photo
You Can’t Make This Up
Netflix
4.2 • 1K Ratings
🗓️ 10 December 2025
⏱️ 34 minutes
🧾️ Download transcript
Summary
Transcript
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| 0:00.0 | I'm Rebecca Lavoie, and this is You Can't Make This Up. |
| 0:14.8 | You Can't Make This Up is the podcast where we uncover the true stories behind your favorite Netflix documentaries and films. |
| 0:26.6 | On today's episode, we take a closer look at the Netflix documentary film, The Stringer, |
| 0:28.3 | The Man Who Took the Photo. |
| 0:30.7 | Some photographs just transcend all others. |
| 0:32.5 | They capture something. |
| 0:39.2 | They represent a story, a moment in time, in a way that other photographs simply don't reach. |
| 0:41.9 | Today, we're talking to director, Bao Nguyen. |
| 0:46.4 | The shocking photograph of a child severely burned in a napalm strike became one of the most enduring images of the Vietnam War. |
| 0:50.4 | Associated press cameraman Nick Utt won fame and major awards for the legendary picture. |
| 0:56.5 | But decades later, an AP photo editor made an explosive claim. |
| 1:01.4 | A local freelancer actually snapped the picture, but staffers credited the photo to Utt. |
| 1:07.0 | Now, a team of investigative reporters returns to Vietnam to find the Stringer and determine |
| 1:12.4 | if he really took the historical photograph. |
| 1:15.9 | The Netflix documentary film The Stringer, the man who took the photo, follows photojournalist |
| 1:21.0 | Gary Knight as he attempts to learn who actually captured the famous Napalm Girl picture. |
| 1:26.1 | The hunt for the unidentified photographer will take |
| 1:28.7 | him across the globe and put him at odds with a journalistic community deeply protective of Utt's legacy. |
| 1:34.3 | Knight enlists a visual forensics team to pinpoint which cameraman in Trang Bang was in position to |
| 1:39.4 | snap the picture that altered the way many viewed the war in Vietnam. But it matters who pressed the shutter, not just for one man's legacy, |
| 1:47.0 | but for what it says about who gets remembered and who gets erased. |
| 2:05.2 | And I'm joined now by director Bao Nguyen. |
... |
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