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The Official Adventures in Odyssey Podcast

The story of the Titanic has never been told this way before. Hear about the creation of the music and sound effects.

The Official Adventures in Odyssey Podcast

Focus on the Family

Kids & Family

4.52.3K Ratings

🗓️ 28 January 2020

⏱️ 19 minutes

🧾️ Download transcript

Summary

The Club adventures "Unsinkable, Parts 1 and 2" pretty much defined the word "epic." Hear from the post-production team - sound designer Nathan Jones and composer Jared Depasquale - about how they met the challenge.

Transcript

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0:00.0

Hey everybody, I'm Bob, producer of the Adventures in Odyssey Club.

0:13.7

And I'm Jesse, editor of Focus on the Family Clubhouse Magazine.

0:17.2

Welcome to the official Adventures in Odyssey podcast.

0:19.5

Today on the podcast, we're talking to Jared, Deepest Squall, and Nathan Jones.

0:23.6

They're the big names responsible for post-production on Unsinkable, a two-part adventure releasing

0:29.2

in the club. Jared's the composer and Nathan, or Nate to us team members, is the sound designer.

0:35.3

The Unsinkable episode's pretty much defined the word epic. So these two had, dare I say

0:40.7

it, a Titanic task ahead of them. Well, let's hear about their collaboration and about

0:46.1

creating the sound for this Odyssey historical show.

0:55.6

Jared and Nate, thanks so much for joining us on the podcast today.

0:58.5

Hey guys, thanks for having us. Absolutely, thank you for having me.

1:01.8

Jared, let's start with you because, as we know, the fate of the Titanic is well documented,

1:07.2

especially in entertainment, one of the most successful movies of all time kind of dealt with this

1:11.8

tragic event. So was it intimidating at all to approach this material that has been dramatized

1:17.4

and scored so many times before? It was certainly territory I had traversed before,

1:22.8

like Les Mizz and the Secret Garden and Little Women. Yeah. But, you know, I think what makes

1:26.8

scoring anything to do with the Titanic different is the fact that all the stories are going to be

1:31.4

different, you know, simply because we don't really know what happened in terms of so many people

1:35.2

aboard the ship. And so because of that, no two Titanic stories are going to be alike. And I think

1:39.8

that kind of relieves some pressure from me, you know, but I think in the back of my mind that

1:44.3

was always this little voice being like, you know, don't be the composer that messes up the Titanic.

1:50.6

Well, Nate, when you heard that you're going to be responsible for sound design for a two-part

...

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