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Prince | Official Podcast

The Story of 1999, Episode 3: The Idolmaker

Prince | Official Podcast

Sony Music

Music Interviews, Music, Arts

4.81.4K Ratings

🗓️ 3 December 2019

⏱️ 31 minutes

🧾️ Download transcript

Summary

With reams of material created over the winter of 1981-1982, Prince turned his attention toward refining his emerging double album and shaping the look and sound of protégés The Time and Vanity 6. Inspired by a 1980 movie called The Idolmaker, Prince aspired to create not just an album but a musical movement. Host Andrea Swensson interviews Dez Dickerson, Duane Tudahl, Jellybean Johnson, Brenda Bennett, Bobby Z, and Lisa Coleman. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Who is Jamie Star?

0:02.0

Oh,

0:04.0

Jamie Star.

0:06.0

That's a trick question.

0:08.0

One, two three. This is Prince, the story of 1999.

0:17.0

Brought to you by the Current in collaboration with the Prince Estate, Paisley Park and Warner Records.

0:26.0

I'm Andrea Swenson, I'm an author and a host at The Current and this is the third of four

0:36.4

installments of our deep dive into the making of Prince's 1999 and the new

0:41.6

super-deluxe reissue of the album which includes 35

0:45.3

never before release recordings from his vault. Like this one it's called

0:49.5

Don't Let him Foolia and Prince recorded this one alone at his home studio in

0:53.9

Chanhassen, Minnesota in the spring of 1982.

1:01.0

I've had a chance to talk to a lot of people who knew Prince in the early 80s as he was

1:06.6

developing 1999 and one theme that's emerged is that he loved watching movies. This is something that has been true about Prince for his entire life.

1:16.0

In his memoir, he revealed that he had a transformative experience

1:20.0

seeing Woodstock in the movie theater with his father and later in life he would rent

1:24.4

out the Chanhass in cinema for late night viewings with his friends. I actually

1:28.6

got a chance to see a movie with Prince Dayer once it was after a show at

1:32.3

Paisley Park he He rented out the theater

1:34.7

and a few dozen of us watch the James Bond movie Specter with him sitting in the back row.

1:40.5

A handful of movies from this pivotal early 80s period clearly had a direct influence on his artistic

1:46.1

output. They included the droning dark eraser head, which he watched on a loop at his

...

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