You have to control yourself.

You have to control yourself. And welcome back to horror queers.

We're talking, I don't know about you, but that puts sandpaper up my ass.

We're talking, why, I see the children are getting acquainted.

And we're talking, my family was superstitious too.

We're called Baptist.

And I'm Joe.

And I'm Trace.

And we're talking, my child, I believe you broke my legs.

Yes.

Everyone, we are discussing Ian Softly's 2005 Chiller the Skeleton Key starring Kate Hudson and

an impeccable Genarolins. Oh my god, yes. I almost feel bad for John Hurt because he is

also in this movie, but it's a nearly silent film where I mean maybe that's part of the attraction is you get to flex your acting muscle. But sometimes I truly forget he's in this film. Yeah. Now, I remember when the reviews came out at the time, which they weren't super positive when they came out, but all of them commented on how John Hurd is wasted in this movie. But I did find an interview with him at the time where he just basically said, I thought this was an interesting challenge. You know, they told me up front, you will have no dialogue

in this movie. And I said, cool, that's a good challenge for me. I'm going to take that opportunity. Also, I'm like, you know, I mean, he's probably in his like 60s or 70s at this point in time, rest in peace but I'm like yeah you want to get a paycheck to have me just sit around all day

fuck yeah there is something attractive you But I'm like, yeah, you want to get a paycheck to have me just sit around all day?

Fuck you.

There is something attractive.

You know, I think of how certain actors, as they get older, you know, we increasingly see

them sitting behind a desk or they're on a bed or, you know, and I just think, oh, did

you take this gig so that you could basically sit down

and get paid for it because if you did no shade get that coin I was gonna say like we say time and

time again like sometimes acting as a job and yes that's fine like if you want to have a day off and

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