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Noble Blood

The 'Six' Wives: An Interview with Lucy Moss and Toby Marlow of 'Six'

Noble Blood

iHeartPodcasts and Grim & Mild

Society & Culture, History

4.713.9K Ratings

🗓️ 15 February 2022

⏱️ 34 minutes

🧾️ Download transcript

Summary

When Lucy Moss and Toby Marlow were students at Cambridge University, they co-wrote a musical about the six wives of Henry VIII. From Edinburgh Fringe to the West End to Broadway, 'Six' has become a global phenomenon. Dana speaks to Moss and Marlow about theatre, women in popular culture, and revisionist history. Support Noble Blood: — Bonus episodes and scripts on Patreon — Merch! — Order Dana's book, Anatomy: A Love Story — Sign up to join Dana on the Mary Shelley Pilgrimage in April

Transcript

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0:00.0

Welcome to Noble Blood, a production of I Heart Radio and Grimm & Mild from Aaron Manky.

0:07.0

Listener discretion is advised.

0:15.0

In 2017, two students at Cambridge University wrote a musical about the six wives of Henry VIII.

0:24.0

The show began with performances at Edinburgh Fringe and from there it went from something

0:30.2

of an underground cult phenomenon to bonafide global hit within just a few years and that's

0:38.0

accounting for the covid shutdown that hit on what was supposed to be their opening night

0:43.0

on Broadway.

0:45.0

The musical 6 is staged almost like a pop concert in which the six wives of Henry VIII, Catherine

0:53.3

of Erdogan and Bolin, Jane Seymour, Catherine Howard and Catherine Par, Don Mini Skirts,

1:00.8

Bustieres, Hills and Boots and belt out individual solos inspired by divas like Beyonce and Nicki

1:08.8

Minaj.

1:09.8

It's a loose interpretation of history.

1:14.3

After all, the Queen's in real life might have had lovely singing voices, but I doubt

1:19.1

that they could belt or dance like the actors on Broadway and the West End.

1:25.1

But the historical spirit of each of the numbers is accurate.

1:29.4

They're subjective but valid interpretations of the histories of the doomed Queen's that

1:34.7

center their agency and their own experiences.

1:39.3

The show is especially exciting to me because I think that any time conversations about

1:44.9

Tudor history take the mainstream spotlight, it gets people excited about delving into

1:51.1

the actual history.

1:53.5

After all, people are able to enjoy infectious catchy songs while at the same time, understanding

2:01.1

that the real Anne of Cleaves never wore fishnets.

...

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