4.8 β’ 853 Ratings
ποΈ 5 August 2021
β±οΈ 74 minutes
ποΈ Recording | iTunes | RSS
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0:00.0 | Hi everyone. I'm Josh, and this is The Emerald, Currants and Trends Through a Mythic Lens, |
0:12.9 | the podcast where we explore an ever-changing world and our lives in it through the lens of myth, |
0:19.8 | story, and imagination. |
0:26.6 | The Emerald. |
0:28.6 | All that's happening on this green jewel in space. Some decades ago, a young writing student submitted a master's thesis to the University of Chicago. |
0:48.9 | The thesis posited that stories have shapes, that there is a trajectory to most stories and this trajectory can be |
0:57.2 | mapped on a graph, and what really is central to all story, what really binds stories together, |
1:03.2 | is their common shape. The vision was simple. Stories were plotted on a graph in which the |
1:09.6 | vertical axis was ill fortune to good fortune, |
1:12.6 | and the horizontal axis was beginning to end. |
1:15.6 | And plotted that way, there was a particular waveform to each story. |
1:20.6 | Stories could then be grouped together by their shape, |
1:23.6 | and there were several groupings that taken together accounted for pretty much all the stories we tell. |
1:29.8 | Well, the University of Chicago rejected the student's thesis, too cutesy, too oversimplified. |
1:36.5 | The great literature of Western culture can't possibly be reduced to little wave-like shapes. |
1:42.1 | Little did they know that the student in question would go on to become one of the greatest |
1:45.9 | writers of the 20th century. |
1:47.8 | His name was Kurt Vonnegut, and he said later that his thesis on the shape of stories |
1:52.7 | was his prettiest contribution to the culture. |
1:56.2 | There's no reason why the simple shapes of stories can't be fed into computers. |
2:00.4 | They are beautiful shapes. |
2:01.6 | This is the GI axis, good fortune, ill fortune. |
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