The Roman Arena
In Our Time
BBC
4.6 • 9.9K Ratings
🗓️ 26 February 2026
⏱️ 51 minutes
🧾️ Download transcript
Summary
Misha Glenny and guests discuss the countless venues across the Roman Empire which for over five hundred years drew the biggest crowds both in the Republic and under the Emperors. The shows there delighted the masses who knew, no matter how low their place in society, they were much better off than the gladiators about to fight or the beasts to be slaughtered. Some of the Roman elites were disgusted, seeing this popular entertainment as morally corrupting and un-Roman. Moral degradation was a less immediate concern though than the overspill of violence. There was a constant threat of gladiators being used as a private army and while those of the elite wealthy enough to stage the shows hoped to win great prestige, they risked disappointing a crowd which could quickly become a mob and turn on them.
With
Kathleen Coleman James Loeb Professor of the Classics at Harvard University
John Pearce Reader in Archaeology at King’s College London
And
Matthew Nicholls Fellow and Senior Tutor at St John’s College, Oxford
Producer: Simon Tillotson
Reading list:
C. A. Barton, The Sorrows of the Ancient Romans: The Gladiator and the Monster (Princeton University Press, 1993)
Roger Dunkle, Gladiators: Violence and Spectacle in Ancient Rome (Pearson, 2008)
Garrett G. Fagan, The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011)
A. Futrell, Blood in the Arena: The Spectacle of Roman Power (University of Texas Press, 1997)
A. Futrell, The Roman Games: A Sourcebook (Blackwell Publishing, 2006)
Keith Hopkins and Mary Beard, The Colosseum (Profile, 2005)
Luciana Jacobelli, Gladiators at Pompeii (The J. Paul Getty Museum, 2003)
Eckart Köhne and Cornelia Ewigleben (eds.), Gladiators and Caesars: The Power of Spectacle in Ancient Rome (University of California Press, 2000)
Donald Kyle, Spectacles of Death in Ancient Rome (Routledge, 1998)
F. Meijer, The Gladiators: History’s Most Deadly Sport (Souvenir, 2004)
Jerry Toner, The Day Commodus killed a Rhino: Understanding the Roman Games (Johns Hopkins University Press, 2014)
K. Welch, The Roman Amphitheatre from its Origins to the Colosseum (Cambridge University Press, 2007)
T. Wiedemann, Emperors and Gladiators (Routledge, 1992)
In Our Time is a BBC Studios Production
Transcript
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| 0:00.0 | BBC Sounds, Music, Radio Podcasts. |
| 0:05.6 | Oh, hello. You have chosen a BBC podcast, but before you listen to it, we thought you might like our podcast too. |
| 0:12.1 | You might. You might. It is called Sightraught with me, Nick Grimshaw. |
| 0:15.2 | And me, Annie Mack. And we talk about the week in music. |
| 0:18.2 | All the news, all the cultural happenings in the UK and beyond, |
| 0:22.2 | and great guests. And it's on BBC Sounds. Yes, where you can also enjoy lots of |
| 0:27.1 | playlists, music mixes and live radio, everything from my six music breakfast show to Radio |
| 0:33.2 | 3 Unwind. But obviously start with our podcast podcast sidetrack. Obviously. Obviously. |
| 0:40.1 | So if you like music, listen on BBC Sounds. |
| 0:43.7 | This is In Our Time from BBC Radio 4, |
| 0:49.6 | and this is one of more than a thousand episodes you can find in the In Our Time archive. |
| 0:55.1 | A reading list for this edition can be found in the episode description wherever you're listening. |
| 0:57.1 | I hope you enjoy the programme. |
| 1:04.7 | Hello, for over 500 years, Roman arenas staged gladiatorial combats, |
| 1:09.2 | drawing the biggest crowds both in the Republic and unto the emperors. |
| 1:11.9 | These events delighted the masses. |
| 1:14.9 | No matter how low their place in society, |
| 1:17.5 | it was a great comfort to ordinary people that they were much better off |
| 1:19.4 | than the gladiators about to fight |
| 1:21.5 | or the beasts being slaughtered. |
| 1:24.0 | But some members of the elite were disgusted. |
| 1:27.0 | They saw this essential Roman entertainment as morally corrupting and un-Roman. Those among them wealthy enough to stage the shows could, however, win great prestige, as long as the mob enjoyed themselves. |
... |
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