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Ongoing History of New Music

The Rise and Fall and Future of the Music Video - Part 2

Ongoing History of New Music

Curiouscast

Music History, History, Music, Music Interviews, Music Commentary

4.8 • 604 Ratings

🗓️ 4 March 2026

⏱️ 33 minutes

🧾️ Download transcript

Summary

The music video didn’t just shape pop culture…it defined it.  From the glam‑soaked excess of the ’80s and ’90s to the gritty authenticity of the alt‑rock era, and finally to the algorithm‑driven, globally connected internet age, the music video has lived many lives. In part two of this deep dive, we trace the rise, collapse, and surprising rebirth of the music video that once ruled MTV and MuchMusic. We look at the groundbreaking work of directors like Spike Jonze, the multimillion‑dollar spectacles of superstars like Madonna and Michael Jackson, and the moment YouTube and smartphones permanently rewired how we watch, and make, music videos. From Pearl Jam’s refusal to play the game, to viral sensations like OK Go, to the billion‑view world of K‑pop and global micro‑scenes, we discover that the music video isn’t dead. It escaped television. And it’s thriving. This is Part 2 of the Rise and Fall and Future of the Music Video. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hey, it's Alan, and I just wanted to let you know that you can now listen to the ongoing

0:04.3

history of new music early and ad-free on Amazon music, included with Prime.

0:09.3

The 80s and 90s were the golden age of the music video.

0:13.4

MTV was a powerful musical, cultural, and even political force that extended beyond the United

0:19.2

States. Much music had the Canadian market all to

0:22.1

itself and was minting new domestic stars by the dozen every single year. The same thing with

0:27.5

video channels in the UK, France, Germany, Australia, and everybody else. If you wanted to be a star,

0:34.1

you had to have a video to go with every single you released. And because everyone was making

0:39.6

videos, competition for attention was fierce. Budgets got bigger as production values increased,

0:46.0

with artsy themes, special effects, expensive sets, new video technology, and on-location shoots.

0:52.9

Big name directors were brought in. Some video directors

0:55.8

were so good that they were able to make the jump to TV and movies. They became stars themselves,

1:01.1

David Fincher, Spike Jones, Mark Romeneck. Releases of videos by big stars were cultural events,

1:07.1

and sometimes talked about more than the song itself.

1:13.8

And that's because videos were supposed to say something.

1:16.8

A basic performance clip just didn't cut it anymore.

1:20.7

Artists, looking at their royalty statements, got a bit of a shock.

1:24.3

After being convinced to make a video for a million dollars,

1:26.7

something that happened with even mid-level bands,

1:28.5

they found that money being clawed back from their earnings. A video was promotion, and all promotion was a recoupable expense.

1:35.0

But that could be okay if the video helped the song and the album catch fire. If it resulted

1:41.0

in more radio play and more CD sold, then, well, the cost was worth it.

...

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