Hello and welcome back to another episode here at the Damage Report. But here is slightly different.

What's not different is that it's Monday and that means we've got Francesca.

Francesca Fearntini has a go on.

We're still here. I haven't moved, you've moved.

You looked, I mean, you have a different background.

Oh yeah, I mean, I was shamed out of my other background.

I liked it. There was a lot of hot glue. It's there.

A lot of hot glue went into it, but as we settle into the reality that we are never leaving our homes,

you know, we just got to get creative. So I'm slowly changing it up. I see you have a studio.

Are you, are you some sort of company? Are you like,

Well, I decided like we're doing a show and I want to be professional and there was one of

two ways to go. I could like get a physical set or I could like actually improve my commentary

and make it worthy of the name. That's complicated, but you've got this. So I'm back in the studio.

We're being very safe. There is literally no one else in the studio. So the way I'm thinking of it is,

phase one of the lockdown for TDR was we're all individually in our homes and we can't leave

because it's the apocalypse. Now I'm alone broadcasting out of an empty media building that no one

else can go into. No, which feels very apocalyptic in its own way. Very much so.

But watchable. It would have been really cool if there was a little bit of moss growing over things.

Yeah, on me, I think there is. You said mold. But anyway, no, I brought some of my games. So it's

not a total break from the past. And yeah, I'm sitting here by myself. It's a little bit weird,

but I think it's going to be fun and glad that you're here with us.

And to be here. So we've got a lot that we're going to be talking about today because of course,

...