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TED Talks Daily

The problem with streaming — and the case for physical media | Tom Rizzuto

TED Talks Daily

TED

Society & Culture, Ted Talks Daily, Ted Talks, Ted, Ted Podcast

4.112.1K Ratings

🗓️ 20 May 2026

⏱️ 10 minutes

🧾️ Download transcript

Summary

Streaming media gives us access to everything instantly, but at what cost? Music professor Tom Rizzuto traces the history of physical media — from CDs and vinyl to bone music (Soviet-era records pressed onto discarded X-rays) and the near-loss of "Nosferatu" — making the case that art shouldn't just live in the cloud.



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Transcript

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0:00.0

You're listening to TED Talks Daily, where we bring you new ideas to spark your curiosity every day.

0:09.1

I'm your host, Elise Hume.

0:10.8

We have never had more access to music, movies, and media, and yet we've never been so close to losing it all.

0:17.5

And in the world that we live in today, where so few actual people have so much

0:24.3

control over these big media conglomerates and have the power to take things off of streaming

0:29.6

instantly, I think we have to ask ourselves, why would they do that? Is it a control thing? Are

0:36.8

they hiding something from us?

0:38.3

Is it censorship?

0:39.6

That's music professor Tom Rizuto.

0:41.9

In this talk, he traces a line from Cold War Soviet teenagers bootlegging jazz onto discarded

0:47.4

X-ray plates all the way to the streaming platforms we use every day.

0:52.0

His argument isn't anti-streaming or digital technology.

0:55.5

It's pro-permanent physical record.

0:58.7

Physical media keeps the promise of permanence in a way that streaming simply cannot.

1:05.5

That's coming up right after a short break.

1:21.6

And now our TED Talk of the Day.

1:26.6

Bone music is a relic of a very interesting time in world history, a time when the governments of the Soviet

1:28.3

Union restricted access to American music like jazz and rock and roll so tightly that in many

1:34.8

cases they wouldn't even let their citizens own or listen to this music. Now, the young people of the

1:41.6

Soviet Union wanted to hear this music so badly,

1:45.0

that they figured out that they could actually bootleg American records

1:48.0

by cutting sound grooves into discarded x-ray plates,

...

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