The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 Part 2, Lorey Sebastian – Podcast 159
The Rialto Report
Ashley West
4.8 • 531 Ratings
🗓️ 15 March 2026
⏱️ 49 minutes
🧾️ Download transcript
Summary
In 1964, Lorey Kaye, a twenty-year-old from New Haven, CT, moved to Manhattan to start a new life in the big city. Lorey was a fresh-faced, dark-haired hippie, who attracted attention as much for her headstrong, determined, street smart attitude as for her striking good looks. She was hired as a waitress in a new nightclub that had just opened in Times Square – called Steve Paul’s ‘The Scene’.
The club was an immediate hit with gigs by the likes of BB King, Jimi Hendrix, and Sammy Davis Jr., regular visitors like Andy Warhol and Edie Sedgwick – and Lorey was at the heart of the action. Another group, The Lovin’ Spoonful, also played there regularly, and their lead singer, John Sebastian, took a shine to her. John and Lorey started seeing each other, and Lorey became his muse, inspiring him to compose a number of the group’s hit singles about her, such as ‘She’s A Lady’ and ‘Rain on the Roof’, even mentioning her by name in some of the lyrics.
Lorey and John Sebastian (1967)
They got hitched in 1966 – by then Lorey had started work as an insider gossip columnist at Hit Parade magazine – and now known as Lorey Sebastian, she became a popular staple in the 1960s Greenwich Village folk-rock music scene.
Lorey and John’s relationship was glamorous, high-profile, and short-lived. Lorey broke up with John in 1968 when they were in Ireland. The legend is that she fell in with a group of gypsies, and felt compelled to tune in, drop out, and join them instead. It was said that John never fully recovered from the breakup.
Lorey (right), with John Sebastian and Mama Cass (1967)
Fast forward to the mid 1970s. Lorey was back in New York, now in her mid 30s and looking for a purpose. She’d become a member of the television and film workers union, with the vague ambition of being a still photographer on movie sets. To make a little extra money, she also did work as a crew member on sex films.
It was on a Gerry Damiano movie that she met Jamie Gillis. Jamie sidled up to her, pushing her in the back, and exclaiming, “What a place to bump into a girl like you!” It was corny but it worked, and Lorey invited him back to her place.
The mutual attraction was instant and sexual – but, for Jamie, there was something more this time. For a confirmed promiscuous bachelor, Jamie confided to friends that, whisper it quietly, Lorey might actually be the one. He spent time with her, encouraged her photography ambitions, taking her to exhibitions and galleries, and was tickled that one of his favorite songs, The Lovin’ Spoonful’s ‘Daydream,’ had been written for her.
Not to suggest that Jamie’s relationship with New York magazine’s Insatiable Critic, Gael Greene, was over. Far from it. Even if the novelty of Jamie and Gael’s physical and emotional relationship had subsided, they were still intent on documenting their lives, in and out of bed, for a proposed joint-autobiographical book. They continued to go the city’s restaurants, cultural events, and glamorous parties, while Jamie spent his in-between time wrestling with whether he wanted an acting career, playing poker, going to the occasional audition, and making semi-regular starring appearances in adult films. In short, Jamie wanted to pursue Lorey, but not give up the affair with Gael.
This is Part 2 of the story of Jamie Gillis and Gael Greene in 1978.
This podcast is 49 minutes long.
Listen to Part 1 of The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 here.
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The post The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 Part 2, Lorey Sebastian – Podcast 159 appeared first on The Rialto Report.
Transcript
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| 0:00.0 | In 1964, Laurie Kay, a 20-year-old from New Haven, Connecticut, moved to Manhattan to start a new life in the big city. |
| 0:26.9 | Laurie was a fresh-faced, dark-haired hippie, who attracted attention as much for her headstrong, determined, street-smart attitude, as well as her striking good looks. |
| 0:36.7 | She was hired as a waitress in a new |
| 0:38.7 | nightclub that had just opened in Times Square, called Steve Paul's The Scene. The club was an |
| 0:44.8 | immediate hit, with gigs by the likes of B.B. King, Jimmy Hendrix and Sammy Davis Jr., regular |
| 0:50.9 | visitors like Andy Warhol and Edie Sedgwick, and Laurie was at the heart of the action. |
| 0:56.9 | Another group, The Loving Spoonful, also played there regularly, and their lead singer John Sebastian took a shine to her. |
| 1:05.0 | John and Laurie started seeing each other, and Laurie became his muse, inspiring him to compose a number of the |
| 1:10.8 | group's hit singles, |
| 1:11.9 | such as She's a Lady and Rain on the Roof, even mentioning her by name in some of the lyrics. |
| 1:18.0 | They got hitched in 1966. |
| 1:20.5 | By then, Laurie had started work as an insider gossip columnist at Hit Parade magazine, |
| 1:25.5 | and now known as Laurie Sebastian, she became a popular staple |
| 1:28.9 | in the 1960s Greenwich Village folk rock music scene. Laurie and John's relationship was glamorous, |
| 1:35.5 | high profile, and short-lived. Lorry broke up with John in 1968 when they were in Ireland. |
| 1:42.2 | The legend is that she fell in with a group of gypsies and felt compelled |
| 1:45.7 | to tune in, drop out, and join them instead. It was said that John never fully recovered from |
| 1:51.7 | the breakup. Fast forward to the mid-1970s, and Laurie was back in New York, now in her mid-30s, |
| 1:59.4 | and looking for a purpose. She'd become a member of the |
| 2:02.4 | television and film workers union, with the vague ambition of being a still photographer on movie |
| 2:07.3 | sets, and to make a little extra money, she also did work as a crew member on sex films. |
| 2:13.7 | It was on one Jerry Damiano movie that she met Jamie Gillis. |
... |
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