Hey, hi everybody. This is Brian Cappelman. This is David Levine. And this is behind the billions.

Thanks for watching the show. Thanks for being here with us in obviously a time of deep unrest in the world.

And there are far more important things than this, and we consider not doing it.

But if you watch the show, and if you want a little bit of distraction before you, I hope, get back

in there and try to bring the world closer to a more just place, then we will be here to have

the conversation with you. How's it going, Dave? How are you?

Well, you know, I'm okay. I'm happy to talk about the lighter side of episode six, the Nordic model.

Well, let's dive into it. This is an episode with a lot of stuff that we long wanted to put in the show.

You know, stories, we have a special guest, Steve Cunkin, Stephen Cuncan,

the great Cunks coming up, who's going to talk about playing Spiros throughout the five seasons of the show

and can't wait to talk to him.

Yeah, I remember having conversations in the

writers room for years about these free ports, these things, these sort of storage spaces at airports

where expensive paintings are supposed to be in transit. And, you know, we hit the beginning of the story last year, and this is where, like, the B-side,

like the other shoe drops.

And around that time when we were researching, this notion of these private museums where

they're open for like 15 minutes a month and, you know, nobody knows knows about them they're basically a private museum

and name only but are a tax dodge in intent you know fascinated us and the way that people

certain of these hedge fund people use um you know use art as a store of value and then try to start playing some games with

the replicas that are supposed to be the ones that are displayed. Yeah, this is one of those,

this is one of those things about billions where it's all going to seem, really could someone

do a museum like that?

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