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Story Grid Writing Podcast

The Must-Haves of Big Idea Nonfiction

Story Grid Writing Podcast

Shawn Coyne

Books, Language Learning, Authors, Education, Story, Publishing, Arts, Creativity, Writing, Fiction Writing

4.8767 Ratings

🗓️ 8 November 2019

⏱️ 42 minutes

🧾️ Download transcript

Summary

How do you apply the principles of storytelling to nonfiction? What lessons have you learned from Sesame Street that will help you be a better nonfiction writer? Tune in to find out!

Transcript

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0:00.0

Hello and welcome to the Storygrid podcast. This is a show dedicated to helping you become a better

0:06.1

writer. I'm your host Tim Graal and I am a struggling writer trying to figure out how to tell a story

0:12.8

that works. Joining me shortly is Sean Coyne. He is a creator of Story Grid, the author of the

0:18.7

book Story Grid and an editor with over 25 years experience.

0:22.6

In this episode, we continue looking at the nonfiction big idea genre, and we start looking at how

0:30.2

Storygrid really applies to this genre. So a lot of times when you're thinking about StoryGrid,

0:36.9

of course, on this show,

0:37.9

especially we're talking about the fiction side, the telling a better, you know, made up story,

0:44.1

where in this case, I wanted to see how these same story grid principles of genres, values,

0:51.0

beginning, middle, and end, how these apply to the big idea genre when we're talking

0:56.2

about nonfiction. So that's what we get into in this episode. It's really great. It was really

1:01.0

eye-opening for me, so I think you'll enjoy it. So let's jump in and get started. So Sean, we've

1:06.7

spent the last couple weeks looking at nonfiction, the different subgenres of nonfiction,

1:14.2

then we looked really deep at the big idea genre last week. But now that we've kind of identified

1:21.7

that and we're talking about how story grid works with nonfiction, we have to start asking all the same questions that we

1:31.1

would normally ask about fiction about the big idea genre. And so to me, the first question

1:38.4

to think about is like, well, what's the value at stake? Because that's what defines a genre, right?

1:44.0

So action is life and death,

1:45.8

you know. And so when you're looking at the big idea genre, what makes it a genre, which is

1:53.3

what is the value at stake when we're looking at big idea? Okay. Yeah, that's really important.

1:59.5

So the big idea value is about ignorance and wisdom and knowledge. So I always like to think about value in terms of sort of like a gradient of value or a spectrum of value. So, you know, there's negative values and positive on one sort of a global

2:20.7

wisdom spectrum. So if wisdom is the thing at the very, very far right of our gradient

...

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