5 • 784 Ratings
🗓️ 24 June 2025
⏱️ 26 minutes
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0:00.0 | My career in the entertainment industry has enabled me to work with a diverse range of talent. |
0:20.0 | Through my years of experience, I've |
0:22.1 | recognized two essential aspects. Industry professionals, whether famous stars, or behind-the-scenes |
0:29.7 | staff, have fascinating stories to tell. Secondly, audiences are eager to listen to these stories, |
0:36.0 | which offer a glimpse into their lives and the evolution of their life stories. |
0:41.0 | This podcast aims to share these narratives, providing information on how they evolve into their chosen career. |
0:48.0 | We will delve into their journey to stardom, discuss their struggles and successes, and hear from people who help them achieve their goals. |
0:55.5 | Get ready for intriguing behind-the-scenes stories and insights into the fascinating world of |
1:00.8 | entertainment. |
1:04.0 | Hi, I'm Tony Mantor. Welcome to Almost Live Nashville. |
1:08.2 | Joining us today is Mike Bat, singer, songwriter, producer, composer, |
1:14.4 | arranger. He has done so many things in this music business. He was a songwriter behind the |
1:20.0 | Wombles hits, Art Garfunkel's hit song, Bright Eyes, and the list is just too long to tell. |
1:26.2 | He's here to talk about his career and his latest endeavor |
1:29.3 | that he recorded with Justin Haywood of the Moody Blues with the London Philharmonic Orchestra. |
1:34.9 | He has a great story to tell and we're happy to have him here. Thanks for coming on. |
1:39.7 | I'm delighted to be asked. Well, it's my pleasure to have you. My understanding is you and Justin |
1:46.2 | Haywood have got together to create a new project. Indeed. We did a project in the, |
1:54.2 | was it the 80s, late 80s. It must have been about, I think it was 89, where we went into the studio |
2:00.4 | Abbey Road and we did an album I think it was 89, where we went into the studio, Abbey Road, and we did |
2:02.1 | an album called Classic Blue, was just, the idea was no rhythm section, just a symphony orchestra |
2:08.2 | and Justin's voice with me to kind of backup vocals. And we did a couple of versions. |
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