The Moth Radio Hour: Live and Learn

The Moth

Performing Arts, Arts

4.6 • 25.9K Ratings

🗓️ 13 June 2023

⏱️ 52 minutes

🔗️ Recording | iTunes | RSS

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Summary

In this hour, stories of lessons for real life. Navigating young love, learning to live in the moment, and how to drive stick shift. This episode is hosted by Jay Allison, producer of The Moth Radio Hour. Storytellers: Sam Bolen works on Broadway during the "season of the understudy." Meg Ferrill uses her skills as a project manager in the lead up to the birth of her son. Grace Topinka tries to learn stick shift. Michael Maina has no idea how to handle his first crush. Anh Vu Sawyer challenges the youth she works with to apply to college—but they in turn challenge her right back. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Transcript

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0:17.4	From startups to scaleups, online, in person and on the go. Shopify is made for
0:22.8	entrepreneurs like you. Sign up for your $1 a month trial at Shopify.com slash setup. From PRX, this is the Moth Radio Hour.
0:46.4	I'm your host and producer of this show, Jay Allison.
0:49.5	In this episode, stories of life lessons from little nuggets of wisdom to life-altering epiphanies.
0:58.2	First up, is Sam Boland. Sam told this story at a New York City Grand Slam, where WNYC is a media
1:04.4	partner of the Moth, live from the Music Hall of Williamsburg. Here's Sam.
1:15.3	About two years into a certain global pandemic,
1:23.4	I understudied five roles in a big off-Broadway revival of a musical. The show was amazing.
1:31.3	I saw it about 50 times. But what was hard for me was leaving the theater every night, not having done the show. It was disappointing to me and it was making me feel sort of on the outside of it all.
1:37.3	And there was, of course, always a chance that I could go on.
1:40.3	It was the Omicron surge in New York.
1:42.3	My best friend called it the season of the understudy.
1:46.8	But for me, every time I got put on standby, I spent hours of that day tense ready to go on,
1:53.5	they turned out to be a false alarm. And so when I got a call on a morning at the end of the year,
1:58.3	telling me to be ready to go on, I didn't think much of it. I just dutifully ran my lines and waited. But then we got an email from the director, something
2:07.0	that was new. And he said to the whole company, I know there's a lot of confusion and distress
2:15.5	about how we make the choice of when to put an understudy on.
2:18.4	These are uncharted territories for all of us.
2:21.3	We have to make the decision based on what we know right now.
	...

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