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Sidedoor

The Monumental Imagination of Augusta Savage

Sidedoor

Smithsonian Institution

Sidedoor, National Zoo, Exhibits, National Museum, Zoo, Washington, African American History And Culture, Postal Museum, Exhibit, Society & Culture, American History, Pop Culture, History, Art19, Air And Space, Science, The Smithsonian, Tony Cohn, Museum, Smithsonian, History Of The World, Natural History, Dc

4.6 • 2.3K Ratings

🗓️ 28 December 2022

⏱️ 28 minutes

🧾️ Download transcript

Summary

Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect.

Guests:

Karen Lemmey, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum 
Grace Yasumura, assistant curator at the Smithsonian American Art Museum 
Tess Korobkin, Professor of American Art at University of Maryland, College Park

Transcript

Click on a timestamp to play from that location

0:00.0

This is Side Door, a podcast from the Smithsonian with support from PRX.

0:13.6

I'm Lizzie Peabody.

0:24.3

Palm trees bent nearly to the ground in the winds that tore through southern Florida.

0:28.9

Morning in September 1928, curtains of rain poured from the sky.

0:33.8

The storm surge ripped down dikes and overflowed dams flooding city after city in its path.

0:40.5

By the time the Category 5 Okeechobee hurricane passed, thousands of homes were torn down

0:46.0

to their foundations.

0:48.1

This hurricane kills almost 2,000 people.

0:51.6

It's one of the deadliest hurricanes up to that point in the United States.

0:57.1

Miss Karabkin is a professor of American art at the University of Maryland in College

1:00.8

Park.

1:01.8

She says 1,000 miles north of the hurricane, a woman named Augusta Savage was sitting

1:06.8

safely in her New York apartment when she got a message.

1:10.6

Her brother had been killed in the hurricane, her family's home destroyed, and with nowhere

1:15.4

to go, her entire extended family was headed north to stay with her.

1:20.9

The way she puts it is that the Red Cross bundled up the whole family and sent them on to

1:26.0

me here.

1:27.0

Augusta was in her mid-30s.

1:29.3

She had moved to New York City with the hopes of becoming a famous sculptor.

1:33.5

When her family arrived in her tiny Harlem apartment, she was on deadline, applying

1:38.1

for a coveted fellowship to study art in Paris.

1:41.8

Nine people living in such close quarters could have derailed her work.

...

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