The The Welcome back, everybody for braving what will now be the fourth part and the final part in a way of the series with John Kenneth Muir dealing with millennium.

And the reason I'm saying it might be something more is that over the course of these

four parts of people, and I know you've had some interaction on the block spot there, John,

want some questions addressed or if it throws us back into doing more research,

whatever it should be if you want to come back in about a month and a half's time and deal with that,

I would just like people to know that we would be willing to interact with what they, um,

uh, positive for us to address. I think that's kind of nice for the, for the listeners as well.

Sounds good. All right. So we'll see what happens and what that wroughts. But for right now, we'll deal with this being at least the final part in this continuum

about millennium.

And first of all, if I want to know from you, John, I mean, there's a couple of themes in quite

a few in fact.

And you can pull out even more and more.

This series, I think, done well enough that it lends itself to a reasonable amount

of analysis without overdoing it. But I'm going to ask you, first and foremost, what were

one of the things that hit you, more or less, with the Millennium Three-Years series?

Well, one of the themes that I really see running through it,'s it's this uh... it's this conflict between

uh... the group and the individual and i don't just mean the millennium

group of the idea of a of a group of people with an agenda versus sort of one

person

you know you you can

you can sort of narrow this down to the crucible of you know either it's the small the little guy fight city hall you know you've heard that you know you can you can sort of narrow this down to the crucible of, you know, either it's the small,

the little guy fight City Hall or you know, you've heard that, you know, you can't fight

...