4.8 • 7.2K Ratings
🗓️ 6 October 2016
⏱️ 12 minutes
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Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the first episode of that residency.
This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund.
This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Kathy Tu and research assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager of Concerts & Lectures, The Metropolitan Museum of Art.
The Art Discussed If you can't be at the museum to listen to this episode, you might want to take a look at: * Dance in a Subterranean Longhouse at Clearlake, California, Jules Tavernier, 1878. * The Rocky Mountains, Lander's Peak, Albert Bierstadt, 1868 * Washington Crossing the Delaware Emmanuel Leutze, 1851
Music * We hear, "Prelude for a Single Snowflake Under Streetlight, Falling Like a Star," "The View from a Foggy Window, or Your Head in the Clouds with a Fever," and "Origami Guitar," from Lullatone. * We hear, "Entering Darwin," "On the Atlantic Ocean," "Popcorn and Life," "Shut up World," and "Turning Sixteen" from Ben Sollee. * Wien, by Labradford plays beneath the credits.
Special thanks to Gabe Hilfer of Full Pursuit Media. and to Dr. Elizabeth Kornhauser and Ariana Baurley at the Met.
Further Reading * Chronicling the West for Harper's: Coast to Coast with Frezeny & Tavernier by Claudine Chalmers. * Jules Tavernier Artist and Adventurer from Scott A. Shields, Alfred C. Harrison, Jr. and Claudine Chalmers.
The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Learn more at radiotopia.fm.
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0:00.0 | A note for regular listeners of the Memory Palace podcast, I am currently the artist and |
0:04.2 | residents at the Metropolitan Museum of Art. And this piece is episode number one of that project. |
0:10.2 | It's called Recent Acquisition. You're going to listen to this one in gallery 760 in the American |
0:16.6 | Wing. It's the one with Washington crossing the Delaware. Just ask anyone and they'll help you |
0:21.2 | find it. I guarantee you won't be the first person to ask them where to find Washington crossing |
0:25.6 | the Delaware that day. You can wander around while you're listening. You can sit in a bench, |
0:31.2 | whatever works for you. This is the Memory Palace. I'm Nate Demand. |
0:38.1 | They weren't going anywhere. The people living here in the east. They were tied to the land. |
0:44.7 | To an American ideal, still so new there in the middle of the 19th century. They were citizen |
0:50.4 | farmers, tilling the Shenandoah Valley. Fourth generation Yankees now first and second generation |
0:56.2 | Americans. Stacking their stone walls and claiming the corners of the land. There were new immigrants, |
1:03.6 | former Europeans, who had traveled as far as the Kaya Hoga River Valley or the Del Marva Peninsula. |
1:10.3 | And were done traveling. The east was settled and the easterners were settling. |
1:16.9 | But there was a continent out beyond their well-stacked walls and they knew it. |
1:21.5 | Even as they tilled intended, as they laid cobblestones and new streets and new cities, |
1:26.9 | bent hoops for barrels that would carry goods out to a wider world. That few of them were ever |
1:32.3 | going to see. Now that they'd settled for smaller lives. |
1:39.0 | Other men were sent to see that world and charted and claim it for the government and |
1:44.1 | claim it for the mining concerns and land speculators and the lake. |
1:48.3 | So Westward went expeditions of necessary men. Surveys and cartographers, geologists, |
1:54.9 | trackers, engineers, riflemen, and artists. Necessary because the settled people in the |
2:01.5 | settled east wanted to see too. And so when Westward went Ferdinand Hayden to map the Rockies |
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