The many colours of Raqqa
The Documentary Podcast
BBC
4.3 • 2.7K Ratings
🗓️ 23 July 2020
⏱️ 27 minutes
🧾️ Download transcript
Summary
The untold story of Abood Hamam, perhaps the only photojournalist to have worked under every major force in Syria's war - and lived to tell the tale. At the start of the uprising he was head of photography for the state news agency, SANA, taking official shots of President Assad and his wife Asma by day - and secretly filming opposition attacks by night. Later he defected and returned to his home town, Raqqa, where various rebel groups were competing for control. Other journalists fled when the terrorists of so-called Islamic State (IS) took over, but Abood stayed - and was asked by IS to film its victory parade. He sent pictures of life under IS to agencies all over the world - using a pseudonym. As the bombing campaign by the anti-IS coalition intensified, Abood moved away - but returned later to record the heartbreaking destruction - but also the slow return of life, and colour, to the streets. For months, he roamed through the ruins with his camera, seeing himself as ”the guardian of the city." Raqqa's future is still very uncertain, but Abood now wants everyone to see his pictures, which he posts on Facebook, and know his real name. He hopes the colours he's showing will tempt the thousands of families who've fled Raqqa to return home, and rebuild their lives, and their city.
Reporter: Tim Whewell Producer: Mohamad Chreyteh Sound mix: James Beard Production coordinator: Gemma Ashman Editor: Bridget Harney
(Image: Children running in Raqqa, 2019. Credit: Abood Hamam)
Transcript
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| 0:00.0 | Thanks for downloading this podcast from the BBC World Service. |
| 0:03.3 | I'm Tim Hewall, talking to a remarkable man who risked his life to tell the world what's |
| 0:08.8 | been happening in his native country, Syria, but never revealed his identity. |
| 0:14.0 | A man who wants us to see not just It's sunset, it's almost sunset. |
| 0:28.5 | You can see some blue sky getting purple and then the orange sun reflecting on the green around me. |
| 0:39.6 | I mean you could see my face is becoming orange and it's really really beautiful. |
| 0:44.0 | That's amazing I wish I was there. |
| 0:46.0 | The hell is hellen! |
| 0:47.0 | Oh, I'm not a religion, Raka, come to Raka. |
| 0:50.0 | Yes. Yes, Raka. The Syrian city most people know only as the short-lived world capital of terror, |
| 1:01.0 | seat of so-called Islamic states now vanquished caliphate. |
| 1:05.0 | Raka, the city, maybe you didn't know of many colours. |
| 1:10.0 | There's a picture here of brilliant green salad vegetables, lettices and huge curie-on-dives, |
| 1:20.9 | strewn in the thin oozy mud of a winter street. It looks quite big. and In this one an arc of shimmering droplets against a cobalt blue sky |
| 1:35.2 | as a father dunks his young son in the dark swirling waters of the river Euphrates. |
| 1:48.7 | And here an ISIS fighter in black woolly head mask and slate grey tunic, black and brown rifle trampling on a mountain of band, confiscated cigarette cartons or glistening white, the only bright thing |
| 1:56.6 | in the picture. |
| 2:01.2 | All those pictures and many more taken by the man sitting under the tree in the |
| 2:05.9 | sunset for years he used his camera to tell Raka's story in secret. |
| 2:11.4 | My pictures were shown on news outlets all over the world, but no one knew I'd taken them. |
| 2:19.0 | I always used a pseudonym, a nickname. |
| 2:22.0 | He's perhaps the only photojournalist to have worked under every |
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