Welcome to Sad Boys, a podcast about feelings and other things also. I'm Jarvis. I'm Jordan.

Hey, Normi two weeks in a row. I mean I guess it's a...

Do it again.

Well, lucky podcast with Big Bong and the boy.

I wonder if, whenever I've heard Drive Time radio star stings and stuff I'm like this is not for driving

this is too hyped up I was listening to a podcast the other day and I was like what is the

difference between a podcast and radio and it's the fucking audio post-processing where it like sounds like we've got a and it's like the I don't even know what they do to it like audio processing wise it's very

clip it feels extremely close it's like extremely like close and like it's like

very limited limited yeah for sure It's compressed for a whisper.

And I feel like if you just,

I wonder if there's a market for like compressing

audio podcasts like radio so that, you know know when you listen to it people like if you're an

Uber driver or something people just assume that you're listening to a radio

station and if it's hyper-compressed, it works on any speaker.

There was this, back when I was doing a typical podcast stuff,

there was a phenomena of like us trying out a new sound designer

or a new editor or something and they all were great but

the number one piece of feedback we had to give to everyone every time is hey this the

knee on this liver is so tight like this all the noise gate here is so tight and it's because that feels like

if you want to impress someone

that feels like a measurable point of success

like look how much I edited it right how much I treated this

...