Hey, everybody.

We are dropping in your podcast feed today to give you a sneak peek into our brand new four-episode bundle on some of John Hughes's finest films.

Now, Knox and I camped out in the 1980s.

Remember the 80s?

That's when Knox was born.

We camped out there for the ultimate throwback for the special four-part series featuring the movies Ferris Bueller's Day Off, the breakfast club, 16 candles, and National Lampoon's vacation. Each episode is packed with nostalgia and sharp observations and tender appreciation. And of course, the kind of side eye only we can deliver. Now, we answered a mate state question like who or won or lost the movie, what are the low KVP, stuff like that. But we also answer questions like, could this entire movie have been undone by cell phone? Which adult in this movie is the least okay? Which scene accidentally predicts the future? What age is the worst from this movie? There's a lot there. I'm just going to spoil that. There's a lot. And what is the most questionable life lesson from this film? Okay, whether you grew up on these classics or maybe you're just meeting them for the first time, this bundle is your front row seat to teen angst, unforgettable one-liners, and road trips gone wildly wrong.

Here is a sample of our conversations.

If I'm Clark Griswold's PR team,

I would say at least Clark doesn't French kiss his daughter.

You're taking an implication from a line she delivers.

He might have just been like,

I saw you French kiss in the living room,

and it looks like you're doing a great job.

Also, just kudos to the way that Jane Krakowski delivers that line as a child without skipping a beat.

It's so good. It's like straight from 30 Rock. Also, Loki MVP that these children are not the children in any of the other vacation

movies. Like, it's different kids every time. Make it different kids all the time. There's no reason.

It's a comedy. They don't need to be the same kids. Incredible. Her sister getting married at the

wedding, I don't need any of that. But them, him on the Porsche, them over the cake. That's the movie. That's the story. And I kind of wish there was more time with that, even though I understand, like, that's the whole dream of the movie, is to get them together and then we don't know what happens. But when that is occurring, that is A plus stuff. This movie is a movie that's really defined by male gays. Because every male in this movie is just like, do I sex her or do I sex this other one? Or can I sex this way? Should I sex that one? It's just that's all it is. There's very clinical conversations about breath sizes, you know, and what they are willing to do. There's a whole gaggle of boys in a restroom looking at underwear like it's simba at pride rock it's insane man

it's insane when i hear that song i merely go to the scene and i merely think of this movie no that's fair

to me i just love the you know i love a parade like parades are my favorite thing i feel like we

differ on that my guess uh and think most parades are overrated.

Right.

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