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Backlisted

The Ice Palace by Tarjei Vesaas

Backlisted

Backlisted Podcast

Arts, Books, Leisure, Hobbies

4.71.2K Ratings

🗓️ 29 November 2022

⏱️ 62 minutes

🧾️ Download transcript

Summary

The Ice Palace or Is-slottet by Tarjei Vesaas is a 20th century classic by one of Norway’s greatest modern writers. First published by Gyldendal in 1963, it went on to win the Nordic Council Literary Prize in 1964. In 1966, it was published in Elizabeth Rokkan’s English translation by Peter Owen who described it as the best novel he ever published. To discuss it we’re joined by friend of the show Max Porter – who’s surprised it isn’t the most famous book in the world – and by another great Norwegian, Karl Ove Knaussgård, who agrees but who also think’s Vessas’s The Birds ( or Fuglane), published six years earlier, might be even better. We discuss both books in their English translations (recently released as Penguin Modern Classics) and Karl Ove treats us to a reading from the beginning of The Ice Palace in Norwegian. This episode also features Andy sharing his pleasure and deep amusement at Bob Dylan’s latest book – The Philosophy of Modern Song (Simon & Schuster) while John is moved by Emergency, Daisy Hildyard’s darkly beautiful novel about a rural Northern childhood overshadowed by presentiments of the coming climate disaster (Fitzcarraldo Editions). Timings: (may differ due to variable advert length) 4:18 - The Philosophy of Modern Song by Bob Dylan 12:35 - Emergency by Daisy Hildyard 17:16 - The Ice Palace by Tarjei Vesaas * To purchase any of the books mentioned in this episode please visit our bookshop at https://uk.bookshop.org/shop/backlisted where all profits help to sustain this podcast and UK independent bookshops. * For information about everything mentioned in this episode visit www.backlisted.fm * If you'd like to support the show, receive the show early and get extra bonus fortnightly episodes, become a Patreon at https://www.patreon.com/backlisted Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello and welcome to Backlisted, the podcast that gives new life to old books.

0:30.2

Today you find us in the depths of rural Norway sometime in the mid-20th century.

0:36.4

It's very cold and dark enough for stars to appear and a hard frost covers the ground.

0:42.7

The young girl strides purposefully down the road, wrapped in a thick coat, her forehead all

0:48.2

that is left exposed, her eyes fixed on the road ahead. Along drawn out crack echoes like a gunshot.

0:56.3

Which is the ice moving in the lake below. I'm John Mitchinson, the publisher of Unbound,

1:01.8

the platform where readers crowdfund books they really want to read.

1:05.4

And I'm Andy Miller, author of Year of Reading Dangerously and today we're joined by two guests,

1:10.7

one returning and one making their debut. Welcome. Back Max Porter and welcome Carl Ovek,

1:17.7

now scarred. Hello both of you. Hello. Hello.

1:21.3

Carl Ovek is a Norwegian writer whose work, including the six volume sequence, My Struggle,

1:26.2

the novel A Time for Everything, the season's quartet and most recently in English,

1:30.8

the Morning Star has been published in 35 languages. He is published 22 books spanning fiction,

1:38.1

non-fiction essays and biographical portraits of Edvard Munch and Anson Kiefer.

1:44.4

Early next year there will be a publication of the paperback of Carl Ove's collection of essays

1:50.9

in the land of the Cyclops. He is joined by Max Porter, who was last with us back in August

1:58.6

2019, goodness me, it feels like a long time ago, to talk about Ridley Walker in our live

2:03.8

recording at the Paul Elliott's festival. Incidentally, if listeners you've never heard that particular

2:08.8

episodes, it is genuinely one of our favourites partly because of the readings by Max and by

2:15.2

Unimical Mac from the remarkable novel Ridley Walker in front of a live audience totally captivated

2:21.3

by what they heard, a really magical, magical moment. So I felt it was anyway, Max, did you feel

2:27.0

that felt really special that one? Yeah, I have really warm memories of that time, partly because

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