You’ve spent your whole life trying to be something you’re not. Now it’s time to stop pretending and speak your truth.
Hosted by Jay Ellis.
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0:00.0 | Imagine you're shifting uncomfortably on a hard wooden bench in the high school principal's |
0:13.0 | office and the seat's been worn smooth by decades of squarming the linkant back size. |
0:18.6 | Most of them brown like yours, but after two years of high school this is your first |
0:23.2 | time in here and you can't get comfortable. The principal waddles in, wiping sweat from |
0:30.5 | his brow, his seat weasels as he lowers his massive frame into its plush leather patting |
0:38.3 | and scratches at the stubble on his chin. |
0:41.7 | So what do we have here? You have no idea how to answer? You don't know why you're here. |
0:47.2 | You're not a model student but you're also not the kind of kid who spends time and detention |
0:51.1 | either. You sit up straight and try to sound reasonable. Sir, whatever this is about, |
0:56.6 | I'm sure there's an explanation. But the principal just holds up a stubby finger. Hold on, |
1:02.7 | I want you to meet some friends of mine. The door opens in three white men walk in. |
1:08.4 | They're in uniform bright white, freshly start shirts and shiny metal handcuffs. Whatever |
1:13.8 | this is, it's not school business. You swallow hard, your hands go clammy and you wedge |
1:19.8 | them under your legs to keep them from shaking. One of the men in the uniform looks down |
1:24.7 | at you. You can smell the bitter black coffee he had with his breakfast this morning. |
1:30.0 | Son, do you know Lyon to a police officer as a crime? Sure, but your head is spinning |
1:37.2 | as you're trying to figure out what is going on here. Why the show of force, why the cuffs |
1:41.3 | and who's that anything about Lyon to the police? They haven't even asked you anything yet. |
1:46.0 | As if he's reading your mind, the officer puts a heavy hand on your shoulder and bends |
1:51.9 | over so you're out of eye. Don't worry, son. All you have to do is tell the truth. |
1:57.3 | The point across the room to a gleaming state of the RTV-VCR combination is the principal |
2:04.1 | pops a tape in. A grainy black and white image appears on screen, security footage. You |
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